Gutenberg's Fingerprint: Paper, Pixels and the Lasting Impression of Books
An intimate narrative exploring the past, present, and future of books
Four seismic shifts have rocked human communication: the invention of writing, the alphabet, mechanical type and the printing press, and digitization. Poised over this fourth transition, e-reader in one hand, perfect-bound book in the other, Merilyn Simonds -- author, literary maven, and early adopter -- asks herself: what is lost and what is gained as paper turns to pixel?
Gutenberg's Fingerprint trolls the past, present, and evolving future of the book in search of an answer. Part memoir and part philosophical and historical exploration, the book finds its muse in Hugh Barclay, who produces gorgeous books on a hand-operated antique letterpress. As Simonds works alongside this born-again Gutenberg, and with her son to develop a digital edition of the same book, her assumptions about reading, writing, the nature of creativity, and the value of imperfection are toppled.
Gutenberg's Fingerprint is a timely and fascinating book that explores the myths, inventions, and consequences of the digital shift and how we read today.
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Merilyn Simonds is the author of 20 books, including the nonfiction classic The Convict Lover, Gutenberg's Fingerprint, and most recently, the novel Refuge. The founding artistic director of Kingston WritersFest, Simonds is an influential champion of writers and writing. She lives with writer and translator Wayne Grady and divides her time between Kingston, Ontario, and San Miguel de Allende, Mexico.
"This erudite and charming book shows Merilyn Simonds at her best, giving us the history of the printed book as well as the future potential of digital books through the prism of her own publishing experience." -- Kate Pullinger, author of Landing Gear and The Mistress of Nothing
"Avoiding all reference to a foretold apocalypse, and firmly this side of idolatry, Gutenberg's Fingerprint is a wise love letter to the printed page, as trustworthy as paper and as true as ink." -- Alberto Manguel, author of A History of Reading and The Library at Night
"Simonds wraps an on-the-scene report on choosing type, ink, paper, endpapers, and bindings around an entertaining history of book production and reading ... a surprisingly fun read." -- Booklist
"Merilyn Simonds has an essayist's mind, swooping and dipping here and there as fancy (and especially an attractive word, or a revealing phrase or story) lures her." -- Literary Review of Canada
