Simple Gimpl: The Definitive Bilingual Edition
A gorgeously produced, bilingual edition of Nobel Prize laureate Isaac Bashevis Singer's canonical story--one of the most influential of the 20th century--about a hapless yet charmingly resilient baker named Gimpl, who resists taking revenge on the town that makes him the butt of every joke. Singer's original Yiddish appears alongside his own partial translation, now completed and edited by writer and scholar David Stromberg, and the 1953 translation by fellow Nobel laureate Saul Bellow. With illustrations by Liana Finck and an afterword by David Stromberg.
Isaac Bashevis Singer's "Gimpl tam" was published on March 30, 1945, in the obscure Yiddish-language journal Idisher kempfer, about a month before the Nazi surrender. A story of bullying and the potential for revenge, it tells the deathbed confession of an orphaned baker who is targeted by his own community for ridicule and practical jokes. Gimpl has come to be seen as a symbol of the Jewish people in the diaspora, and, by synecdoche, minorities in general. Should they be passive in the face of aggression? Or should they defend themselves? What role must the individual of that minority play when the pack behaves badly?
When Irving Howe and Eliezer Greenberg opted to include "Gimpl tam" in their Treasury of Yiddish Tales, Howe asked Saul Bellow to help with the translation. It was finished in a single sitting and published in 1953 in The Partisan Review as "Gimpel the Fool"--the version that has since been canonized as one of the fundamental stories of the twentieth century. Yet, unlike every other major work of Singer's published in his lifetime, the author had no involvement in the English translation. In 2006, Joseph Landis, editor of Yiddish, published a draft play script titled "Simple Gimpl," made by Singer directly from the Yiddish original--the closest extant rendition of the story in the author's own translation. Literary scholar David Stromberg has completed Singer's translation, allowing readers to see another dimension of the original. This definitive edition, a treat for literature lovers, features Singer's story in Yiddish along with the two English versions. Having them together shows Gimpl as anything but a fool--but rather someone accepting the complexity of his life and faith.
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Isaac Bashevis Singer (1904-1991) was awarded the Nobel Prize for Literature in 1978. An immigrant from Poland, he arrived in New York following the steps of his older brother, Israel Joshua Singer. He wrote essays, stories, and other writings for the Forverts, at times under pseudonym. Saul Bellow translated his story "Gimpel the Fool," which heralded his talent for a young generation of American Jewish readers. For years Singer published his stories in The New Yorker, where he developed a distinct style. His numerous books include Satan in Goray (1935), Gimpel the Fool and Other Stories (1957), The Magician of Lublin (1960), The Slave (1962), The Spinoza of Market Street (1963), A Friend of Kafka and Other Stories (1970), Enemies, a Love Story (1972), Old Love (1979), and Shadows on the Hudson (1997). His work has been translated into dozens of languages.
Saul Bellow (1915 - 2005) was born of Russian Jewish parents in Lachine, Quebec, and was raised in Chicago. He received his bachelor's degree from Northwestern University in 1937. His novel The Adventures of Augie March won the National Book Award for fiction in 1954. His further awards include the Pulitzer Prize for Humboldt's Gift (1975); the International Literary Prize for Herzog, for which he became the first American recipient; and the Croix de Chevalier des Arts et Lettres, the highest literary distinction awarded by France to non-citizens. In 1976, Bellow was awarded the Nobel Prize for Literature.
Liana Finck is a regular contributor to The New Yorker, The Awl, and Catapult. She is a recipient of a Fulbright Fellowship, a New York Foundation for the Arts Fellowship, and a Six Points Fellowship for Emerging Jewish Artists. She has had artist residencies with the MacDowell Colony, Yaddo, the Lower Manhattan Cultural Council, and Tablet magazine. Her first book, A Bintel Brief, was published in 2014.
David Stromberg, a writer, translator, and literary scholar, is editor for the Isaac Bashevis Singer Literary Trust. His books include Baddies, Idiot Love and the Elements of Intimacy, and A Short Inquiry into the End of the World. He is the editor of Old Truths and New Clichés: Essays by Isaac Bashevis Singer (Princeton, 2022).
Praise for Isaac Bashevis Singer:
"Singer's stories have plots that unravel not because they are old-fashioned--they are mostly originals and have few recognizable modes other than their own--but because they contain the whole human world of affliction, error, quagmire, pain, calamity, catastrophe, woe: things happen; life is an ambush, a snare; one's fate can never be predicted. His driven, mercurial processions of predicaments and transmogrifications are limitless, a cornucopia of invention."
--Cynthia Ozick
"[Singer] is a spellbinder as clever as Scheherazade; he arrests the reader at once, transports him to a far place and a far, improbable time and does not let him go until the end."
--Jean Stafford, The New Republic
"A peerless storyteller, Singer restores the sheer enchantment with story, with outcome, with what-happens-next that has been denied most readers since their adolescence."
--David Boroff, Saturday Review
"Singer is a genius. He has total command of his imagined world."
--Irving Howe, The New Republic
"Extraordinarily beautiful... It's the integrity of the human imagination that Singer conveys so beautifully."
--Alfred Kazin, The New Leader
"[Singer's]... impassioned narrative art... with roots in a Polish-Jewish cultural tradition, brings universal human conditions to life."
--The Nobel Prize Committee, 1978
