A Stranger in Olondria
Sofia Samatar
(Author)
Description
Time Magazine: 100 Best Fantasy Books of All Time - World Fantasy, British Fantasy, & Crawford Award winner
Jevick, the pepper merchant's son, has been raised on stories of
Olondria, a distant land where books are as common as they are rare in
his home. When his father dies and Jevick takes his place on the yearly
selling trip to Olondria, Jevick's life is as close to perfect as he can
imagine. But just as he revels in Olondria's Rabelaisian Feast of
Birds, he is pulled drastically off course and becomes haunted by the
ghost of an illiterate young girl.
the aid of Olondrian priests and quickly becomes a pawn in the struggle
between the empire's two most powerful cults. Yet even as the country
shimmers on the cusp of war, he must face his ghost and learn her story
before he has any chance of becoming free by setting her free: an
ordeal that challenges his understanding of art and life, home and
exile, and the limits of that seductive necromancy, reading.
A Stranger in Olondria
is a skillful and immersive debut fantasy novel that pulls the reader
in deeper and deeper with twists and turns reminiscent of George R. R.
Martin and Joe Hill.
Product Details
Price
$18.00
$16.74
Publisher
Small Beer Press
Publish Date
April 30, 2013
Pages
320
Dimensions
5.3 X 8.4 X 0.9 inches | 0.83 pounds
Language
English
Type
Paperback
EAN/UPC
9781931520768
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About the Author
Sofia Samatar is an American of Somali and Swiss-German Mennonite background. She wrote A Stranger in Olandria in Yambio, South Sudan, where she worked as an English teacher. She has worked in Egypt and is pursuing a PhD in African Languages and Literature at the University of Madison, WI.
Reviews
"The novel unfolds in waves of A Game of Thrones-level twists, all while its fantastical world-building pulls from South Asian, Middle Eastern and African cultures to offer a welcome departure from Eurocentric fantasy."
- Time Magazine: 100 Best Fantasy Books of All Time "Have you ever seen something so beautiful that you'd be content to just sit and watch the light around it change for a whole day because every passing moment reveals even more unbearable loveliness and transforms you in ways you can't articulate? You will if you read these books."
-- Amal El-Mohtar, NPR: Your 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepp
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepper merchant's son."
-- xojane "A journey that is as familiar and foreign as a land in a dream. It's a study of two traditions, written and oral, and how they intersect. Samatar uses exquisite language and precise details to craft a believable world filled with sight, sound and scent."
-- Fantasy Literature "Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
-- Library Journal (*starred review*) "Sofia Samatar has an expansive imagination, a poetic and elegant style, and she writes stories so rich, with characters so full of life, they haunt you long after the story ends. A real pleasure."
-- Chris Abani, author of GraceLand and The Virgin of Flames "A bo
"The novel unfolds in waves of A Game of Thrones-level twists, all while its fantastical world-building pulls from South Asian, Middle Eastern and African cultures to offer a welcome departure from Eurocentric fantasy."
-- Time Magazine: 100 Best Fantasy Books of All Time "Have you ever seen something so beautiful that you'd be content to just sit and watch the light around it change for a whole day because every passing moment reveals even more unbearable loveliness and transforms you in ways you can't articulate? You will if you read these books."
-- Amal El-Mohtar, NPR: Your 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepper merchant's son."
-- xojane "A journey that is as familiar and foreign as a land in a dream. It's a study of two traditions, written and oral, and how they intersect. Samatar uses exquisite language and precise details to craft a believable world filled with sight, sound and scent."
-- Fantasy Literature "Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
-- Library Journal (*starred review*) "Sofia Samatar has an expansive imagination, a poetic and elegant style, and she writes stories so rich, with characters so full of life, they haunt you long after the story ends. A real pleasure."
-- Chris Abani, author of GraceLand and The Virgin of Flames "A book about the love of books. Her sentences are intoxicating and one can easily be lost in their intricacy.... Samatar's beautifully written book is one that will be treasured by book lovers everywhere."
-- Raul M. Chapa, BookPeople, Austin, TX "Thoroughly engaging and thoroughly original. A story of ghosts and books, treachery and mystery, ingeniously conceived and beautifully written. One of the best fantasy novels I've read in recent years."
-- Jeffrey Ford, author of The Girl in the Glass "Mesmerizing--a sustained and dreamy enchantment. A Stranger in Olondria reminds both Samatar's characters and her readers of the way stories make us long for far-away, even imaginary, places and how they also bring us home again."
-- Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club "Gorgeous writing, beautiful and sensual and so precise--a Proustian ghost story."
-- Paul Witcover, author of Tumbling After "Let the world take note of this dazzling and accomplished fantasy. Sofia Samatar's debut novel is both exhilarating epic adventure and loving invocation of what it means to live through story, poetry, language. She writes like the heir of Ursula K. Le Guin and Gene Wolfe."
-- Kelly Link, author of Get in Trouble "Imagine an inlaid cabinet, its drawers within drawers filled with spices, roses, amulets, bright cities, bones, and shadows. Sofia Samatar is a merchant of wonders, and her A Stranger in Olondria is a bookshop of dreams."
-- Greer Gilman, author of Cloud & Ashes
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepper merchant's son."
-- xojane "A journey that is as familiar and foreign as a land in a dream. It's a study of two traditions, written and oral, and how they intersect. Samatar uses exquisite language and precise details to craft a believable world filled with sight, sound and scent."
-- Fantasy Literature "Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
-- Library Journal (*starred review*) "Sofia Samatar has an expansive imagination, a poetic and elegant style, and she writes stories so rich, with characters so full of life, they haunt you long after the story ends. A real pleasure."
-- Chris Abani, author of GraceLand and The Virgin of Flames "A book about the love of books. Her sentences are intoxicating and one can easily be lost in their intricacy.... Samatar's beautifully written book is one that will be treasured by book lovers everywhere."
-- Raul M. Chapa, BookPeople, Austin, TX "Thoroughly engaging and thoroughly original. A story of ghosts and books, treachery and mystery, ingeniously conceived and beautifully written. One of the best fantasy novels I've read in recent years."
-- Jeffrey Ford, author of The Girl in the Glass "Mesmerizing--a sustained and dreamy enchantment. A Stranger in Olondria reminds both Samatar's characters and her readers of the way stories make us long for far-away, even imaginary, places and how they also bring us home again."
-- Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club "Gorgeous writing, beautiful and sensual and so precise--a Proustian ghost story."
-- Paul Witcover, author of Tumbling After "Let the world take note of this dazzling and accomplished fantasy. Sofia Samatar's debut novel is both exhilarating epic adventure and loving invocation of what it means to live through story, poetry, language. She writes like the heir of Ursula K. Le Guin and Gene Wolfe."
-- Kelly Link, author of Get in Trouble "Imagine an inlaid cabinet, its drawers within drawers filled with spices, roses, amulets, bright cities, bones, and shadows. Sofia Samatar is a merchant of wonders, and her A Stranger in Olondria is a bookshop of dreams."
-- Greer Gilman, author of Cloud & Ashes
- Time Magazine: 100 Best Fantasy Books of All Time "Have you ever seen something so beautiful that you'd be content to just sit and watch the light around it change for a whole day because every passing moment reveals even more unbearable loveliness and transforms you in ways you can't articulate? You will if you read these books."
-- Amal El-Mohtar, NPR: Your 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepp
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepper merchant's son."
-- xojane "A journey that is as familiar and foreign as a land in a dream. It's a study of two traditions, written and oral, and how they intersect. Samatar uses exquisite language and precise details to craft a believable world filled with sight, sound and scent."
-- Fantasy Literature "Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
-- Library Journal (*starred review*) "Sofia Samatar has an expansive imagination, a poetic and elegant style, and she writes stories so rich, with characters so full of life, they haunt you long after the story ends. A real pleasure."
-- Chris Abani, author of GraceLand and The Virgin of Flames "A bo
"The novel unfolds in waves of A Game of Thrones-level twists, all while its fantastical world-building pulls from South Asian, Middle Eastern and African cultures to offer a welcome departure from Eurocentric fantasy."
-- Time Magazine: 100 Best Fantasy Books of All Time "Have you ever seen something so beautiful that you'd be content to just sit and watch the light around it change for a whole day because every passing moment reveals even more unbearable loveliness and transforms you in ways you can't articulate? You will if you read these books."
-- Amal El-Mohtar, NPR: Your 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepper merchant's son."
-- xojane "A journey that is as familiar and foreign as a land in a dream. It's a study of two traditions, written and oral, and how they intersect. Samatar uses exquisite language and precise details to craft a believable world filled with sight, sound and scent."
-- Fantasy Literature "Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
-- Library Journal (*starred review*) "Sofia Samatar has an expansive imagination, a poetic and elegant style, and she writes stories so rich, with characters so full of life, they haunt you long after the story ends. A real pleasure."
-- Chris Abani, author of GraceLand and The Virgin of Flames "A book about the love of books. Her sentences are intoxicating and one can easily be lost in their intricacy.... Samatar's beautifully written book is one that will be treasured by book lovers everywhere."
-- Raul M. Chapa, BookPeople, Austin, TX "Thoroughly engaging and thoroughly original. A story of ghosts and books, treachery and mystery, ingeniously conceived and beautifully written. One of the best fantasy novels I've read in recent years."
-- Jeffrey Ford, author of The Girl in the Glass "Mesmerizing--a sustained and dreamy enchantment. A Stranger in Olondria reminds both Samatar's characters and her readers of the way stories make us long for far-away, even imaginary, places and how they also bring us home again."
-- Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club "Gorgeous writing, beautiful and sensual and so precise--a Proustian ghost story."
-- Paul Witcover, author of Tumbling After "Let the world take note of this dazzling and accomplished fantasy. Sofia Samatar's debut novel is both exhilarating epic adventure and loving invocation of what it means to live through story, poetry, language. She writes like the heir of Ursula K. Le Guin and Gene Wolfe."
-- Kelly Link, author of Get in Trouble "Imagine an inlaid cabinet, its drawers within drawers filled with spices, roses, amulets, bright cities, bones, and shadows. Sofia Samatar is a merchant of wonders, and her A Stranger in Olondria is a bookshop of dreams."
-- Greer Gilman, author of Cloud & Ashes
"It's the rare first novel with no unnecessary parts - and, in terms of its elegant language, its sharp insights into believable characters, and its almost revelatory focus on the value and meaning of language and story, it's the most impressive and intelligent first novel I expect to see this year, or perhaps for a while longer."
-- Locus "The excerpt from Sofia Samatar's compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don't overlook her short "Selkie Stories Are for Losers," the best story about loss and love and selkies I've read in years."
-- K. Tempest Bradford, NPR "Sofia Samatar's debut fantasy A Stranger in Olondria is gloriously vivid and rich."
-- Adam Roberts, The Guardian, Best Science Fiction Books of 2013 "Books can limit our experiences and reinforce the structures of empire. They can also transport us outside existing structures. The same book may do both in different ways or for different people. Samatar has written a novel that captures the ecstasy and pain of encountering the world through books, showing us bits and pieces of our contemporary world while also transporting us into a new one."
-- Bookslut "The novel is full of subtle ideas and questions that never quite get answered. It is those dichotomies that lie at the heart of this novel, such as what is superstition and what is magic? How much do class and other prejudices affect how we view someone's religion? Jevick often believes himself above such things, as does the current religious regime of Olondria, but in a way both are haunted until they believe. . . . Samatar gives us no easy answers and there are no villains in the book -- simply ordinary people doing what they believe is right.
-- io9.com "As you might expect (or hope) from a novel that is in part about the painting of worlds with words, the prose in Stranger is glorious. Whether through imaginative individual word choices--my favourite here being the merchants rendered "delirious" by their own spices . . . Samatar is adept at evoking place, mood, and the impact of what is seen on the one describing it for us."
-- Strange Horizons "Vivid, gripping, and shot through with a love of books."
-- Graham Sleight, Locus "A richly rewarding experience for those who love prose poetry and non-traditional narratives. Sofia Samatar's debut novel is a fine exemplar of bibliomancy."
-- Craig Laurence Gidney (Sea Swallow Me) "With characteristic wit, poise, and eloquence, Samatar delivers a story about our vulnerability to language and literature, and the simultaneous experience of power and surrender inherent in the acts of writing and reading."
-- Amal El-Mohtar, Tor.com "If you want to lose yourself in the language of a book, this is the one you should read first. Samatar's prose is evocative and immediate, sweeping you into the complex plot and the world of Jevick, a pepper merchant's son."
-- xojane "A journey that is as familiar and foreign as a land in a dream. It's a study of two traditions, written and oral, and how they intersect. Samatar uses exquisite language and precise details to craft a believable world filled with sight, sound and scent."
-- Fantasy Literature "Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
-- Library Journal (*starred review*) "Sofia Samatar has an expansive imagination, a poetic and elegant style, and she writes stories so rich, with characters so full of life, they haunt you long after the story ends. A real pleasure."
-- Chris Abani, author of GraceLand and The Virgin of Flames "A book about the love of books. Her sentences are intoxicating and one can easily be lost in their intricacy.... Samatar's beautifully written book is one that will be treasured by book lovers everywhere."
-- Raul M. Chapa, BookPeople, Austin, TX "Thoroughly engaging and thoroughly original. A story of ghosts and books, treachery and mystery, ingeniously conceived and beautifully written. One of the best fantasy novels I've read in recent years."
-- Jeffrey Ford, author of The Girl in the Glass "Mesmerizing--a sustained and dreamy enchantment. A Stranger in Olondria reminds both Samatar's characters and her readers of the way stories make us long for far-away, even imaginary, places and how they also bring us home again."
-- Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club "Gorgeous writing, beautiful and sensual and so precise--a Proustian ghost story."
-- Paul Witcover, author of Tumbling After "Let the world take note of this dazzling and accomplished fantasy. Sofia Samatar's debut novel is both exhilarating epic adventure and loving invocation of what it means to live through story, poetry, language. She writes like the heir of Ursula K. Le Guin and Gene Wolfe."
-- Kelly Link, author of Get in Trouble "Imagine an inlaid cabinet, its drawers within drawers filled with spices, roses, amulets, bright cities, bones, and shadows. Sofia Samatar is a merchant of wonders, and her A Stranger in Olondria is a bookshop of dreams."
-- Greer Gilman, author of Cloud & Ashes
