Triptych: The Three-Legged World, in Time, and Orpheus & Echo
Description
Triptych disrupts conventions of book authorship. Between two covers are three books, The Three-Legged World by Peter Grandbois, In Time by James McCorkle, and Orpheus & Echo by Robert Miltner. Of course, books converse with other books, and poetry, rippling from unmeasured sound into rampant forms, is especially polyphonic. Etruscan brings these three books together because they exerted upon our editors a gravitational pull, causing the shadow of one to fall across the reading of another. Sufficient on their own, these books achieve new altitudes when aligned. Triptych launches no school. It backs no cause. What these books share is not easily labeled. None follows narrative conventions. None dwells on confession. None abides predictable meter. None is easily parsed. Each climbs eerie heights where ego finds no purchase. Each takes a kaleidoscopic view of selfhood. Each takes flight toward apotheosis. Each blesses the moments "Before we turn into air," or give way to "tongue of trees, language of clouds," and before "Gods and dogs begin their talking back," before birds "are falling through their late bodies." In Miltner's ogham-deep caesuras, in McCorkle's speech-song, and in Grandbois's cadences which whisper like ghostly passersby, "sound is emanation," and emanation asks, "what would this line be without the words?"
Product Details
Price
$18.00
$16.74
Publisher
Etruscan Press
Publish Date
May 05, 2020
Pages
248
Dimensions
7.0 X 9.9 X 0.8 inches | 1.1 pounds
Language
English
Type
Paperback
EAN/UPC
9780999753422
BISAC Categories:
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About the Author
Peter Grandbois is the author of nine previous books, the most recent of which is half-burnt (Spuyten Duyvil, 2019). His poems, stories, and essays have appeared in over one hundred journals. His plays have been performed in St. Louis, Columbus, Los Angeles, and New York. He is a senior editor at Boulevard magazine and teaches at Denison University in Ohio. You can find him at www.petergrandbois.com. Born in St. Petersburg, Florida, James McCorkle is the author of Evidences (selected by Jorie Graham for the 2003 APR-Honickman First Book Award) and The Subtle Bodies (Etruscan Press 2014). He received an M.F.A. and Ph.D. from the University of Iowa and is a recipient of fellowships from Ingram Merrill and the NEA, he teaches at Hobart and William Smith Colleges in Geneva, New York. Robert Miltner's prose poetry collection is Hotel Utopia (New Rivers Press), winner of the Many Voices Project poetry prize; his prose poetry chapbooks include Against the Simple (Kent State University Press), winner of a Wick Chapbook award, and Eurydice Rising (Red Berry Editions), winner of the Summer Chapbook award; his book of brief fiction is And Your Bird Can Sing (Bottom Dog Press). A recipient of an Ohio Arts Council award in poetry, he has been a finalist for the National Poetry Series, the Louise Bogan Award for Artistic Merit and Excellence, and the New York Center for the Book chapbook prize. An Emeritus Professor of English at Kent State University and the Northeast Ohio MFA in Creative Writing (NEOMFA), Miltner edits The Raymond Carver Review. He lives in the historic Vassar Park neighborhood in Canton, Ohio, with his wife, the writer Molly Fuller.
Reviews
Poetry's roots lie in the communal. The first sceops, or shapers of words, recited their poems to an audience gathered about the fire, and later the mead hall, one poet beginning where the previous ended. Only recently has poetry shifted to an isolated activity written by a solitary writer and read by a lone reader. Hwaet! The communal origins of poetry have returned in Triptych! What a great joy to share this space with two poets whose mythological hauntings and metaphysical musings dance so tantalizingly with my own. Buy a book. Take a seat, and welcome back to the hearth! --Peter Grandbois In these three distinct, discrete, and demanding collections within a single cover, what connects them all is the attention to the celebrant's voice. If poetry is anything it is the pleasure of the poet in their language--whatever the poem may mean is ancillary to the velocities of language, the inhabitations that language creates, formal or densely scattering, historical or local. Each of these collections off er readers a dwelling in language, the extension of voice across poems and into poetry-making / poiesis / formations. These are individual formations and velocities, yet as the collections become proximate, they are near to each other, sharing the pleasures of this work, this in/forming. --James McCorkle The poets in Triptych are experimenting with poetry's innovative possibilities and unexpected potential. Peter Grandbois' The Three-Legged World offers lyric meditations on stance, speech, and sonority. James McCorkle's In Time computer code-like lines explore the relationship between breath and line breaks. Robert Miltner's Orpheus & Echo evokes fragments of lost texts that straddle the intimate distance between the prosaic and the poetic. Reading Triptych, a unique three-books-in-one collection, is like attending a seminar on twenty-first century poetics. --Robert Miltner
