The Invisible Dragon: Essays on Beauty and Other Matters: 30th Anniversary Edition
"If this book of shocking intelligence and moral hope is read widely and above all well, word for word, it will help the world." --Peter Schjeldahl
An expanded edition of Hickey's controversial and exquisitely written apologia for beauty--championed by artists, reviled by art critics, and as powerful as ever 30 years on
The 30th anniversary cloth edition brings back into print Dragon's four essays on beauty and commingles them with newly discovered essays by the MacArthur Foundation "genius." Art by Caravaggio, Bellini, Velázquez, Raphael, Warhol and Mapplethorpe is complemented by Hickey's tributes to Dolly Parton and Richard Pryor, outing of John Rechy's gay novel Numbers, essays on the art of writing and witty analysis of paintings by Ed Ruscha. An afterword by Hickey's friend and Dragon's editor queers the brash, heterosexual gambler as it situates the creation of Dragon squarely within the AIDS plague. At the time, the book made beauty visible under the looming presence of death and bodily decay. Today, Hickey's prescient diagnosis of the "therapeutic institution" resonates even louder and artists respond by harnessing beauty as a source of meaning and of joy.
Dave Hickey (1938-2021) was one of the preeminent arts and cultural writers of the turn of the 21st century. A MacArthur "Genius" Fellow known as the "beauty guy" in the popular press, Hickey opened A Clean, Well-Lighted Place gallery in Austin, Texas, in the 1960s, before becoming executive editor at Art in America magazine. In the 1970s, he was a songwriter in Nashville, Tennessee, where he coined and helped create the "Outlaw country" music movement. By the 1990s, Hickey had made a home in Las Vegas, from where he regularly traveled to speak with audiences worldwide.
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When Dave Hickey died last fall at the age of eighty-two, he left behind a singular contribution to the history of art writing, along with a badly bruised reputation, both routinely called 'iconoclastic' for lack of anything more precise. The magazines he'd published in since the 1960s hardly took notice. The perfunctory obituaries that did appear treated him as a kind of Hunter S. Thompson of the contemporary art world, ensconced as he was in Las Vegas at the height of his fame. But alongside the bluster of 'the bad boy of art criticism' was a neon Walter Pater of the Southwest who almost single-handedly remade the practice of art writing with his first two collections, The Invisible Dragon and Air Guitar.--Jarrett Earnest "New York Review of Books"
If the book of shocking intelligence and moral hope is read widely and above all well, word for word, it will help the world.--Peter Schjeldahl ""Author of Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018""
Dave Hickey's prose transports are like an eye attached to a butterfly attached to a rocketship--which is to say, lucidity uncannily yoked to both a deft lightness of touch and sheer gangbusters propulsion: the down-to-earth, time and again, taking off and taking flight. The generosity of the man's verve--the suppleness of its profusions--can get to be downright ravishing. On top of which, the guy's really funny.--Lawrence Weschler "Author of Seeing is Forgetting the Name of the Thing One Sees"
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