Bad Animals
Now that her brilliant botanist daughter is off at college, buttoned-up Maeve Cosgrove loves her job at a quiet Maine public library more than anything. But when a teenager accuses Maeve--Maeve!--of spying on her romantic escapades in the mezzanine bathroom, she winds up laid off and humiliated. Stuck at home in a tailspin, Maeve cares for the mysterious plants in her daughter's greenhouse while obsessing over the clearly troubled girl at the source of the rumor. She hopes to have a powerful ally in her attempts to clear her name: her favorite author, Harrison Riddles, who has finally responded to her adoring letters and accepted an invitation to speak at the library.
Riddles, meanwhile, arrives in town with his own agenda. He announces a plan to write a novel about another young library patron, Sudanese refugee Willie, and enlists Maeve's help in convincing him to participate. Maeve wants to look out for Willie, but Riddles's charisma and the sheen of literary glory he promises are difficult to resist. A scheme to get her job back draws Maeve further into Riddles's universe--where shocking questions about sex, morality, and the purpose of literature threaten to upend her orderly life.
A writer of "savage compassion" (Salvatore Scibona, author of The Volunteer), Sarah Braunstein constructs a shrewd, page-turning caper that explores one woman's search for agency and ultimate reckoning with the kind of animal she is.
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Bad Animals opens with a delightful shock, and then the fun begins. With deft, sly, loving insight into the human animal and its genius for self-deception, Braunstein ratchets up and sustains this extraordinary novel's elegance and complexity until the last, beautiful sentence.--Kate Christensen, author of The Great Man and Welcome Home, Stranger
Sarah Braunstein's Bad Animals is a dazzling high-wire act. Absolutely chilling.--Richard Russo, author of Somebody's Fool
Bad Animals is a story of intrigue, and mystery, and love. Above all, it's about the lies we tell each other--and the ones we tell ourselves. It's best book yet by one of my favorite writers--haunting, unsettling, and unforgettable.--Jennifer Finney Boylan, author of Good Boy and coauthor of Mad Honey
Wild, wicked, whip-smart, hilarious--Bad Animals brought out the hungry reader in me and I devoured it, blissfully. Sarah Braunstein is tough and tender in equal measure: unsparing on the subjects of whiteness, literary lions, and good intentions, yet so large-hearted that this giddy misadventure cannot help but turn moving in the most true and abiding way.--Sarah Shun-Lien Bynum, author of Likes
Bad Animals kept me up all night for its gorgeous prose, its breathtaking insights into human nature, and its fresh, original page-turning plot. What a triumph.--Monica Wood, author of The One-In-a-Million Boy
With a high-wire plot that's beautifully built and slyly rendered, Bad Animals interrogates the insanely high costs of self-deception and offers us a supremely wise and damn funny story of bravery in the face of abject longing.--Susan Conley, author of Landslide
Braunstein makes Maeve's emotions palpable as she attempts to clear her name and deal with her empty nester woes. [Bad Animals] has plenty of charm.-- "Publishers Weekly"
Exploring themes of appropriation, obsession, and control, Braunstein's tangled novel will leave readers unsettled.-- "Booklist"
...Braunstein fashions a red-hot poker that skewers the limits of the white imagination...[A] sharp-witted, ravishing novel.--Claire Luchette "New York Times Book Review"
Full of ideas, plot, verve, interesting scenes, and good writing...A writer to watch.-- "Kirkus"
[A] clever novel...The [novel within a novel] framework enables Braunstein to implicitly pose the questions: Who gets to tell your story? Whose stories can you trust?...In a book with supple writing throughout, [Braunstein] also evokes the state's climate and its landscape in singular ways...It's a credit to Braunstein's craft that this tale, filled with incisive observations and often amusingly unflattering revelations about a few primary players, is also leavened with tenderness.--Carol Iaciofano Aucion "WBUR"
