Tripping the Tale Fantastic: Weird Fiction by Deaf and Hard of Hearing Writers

Available
Product Details
Price
$22.00  $20.46
Publisher
Handtype Press
Publish Date
Pages
198
Dimensions
5.25 X 8.0 X 0.42 inches | 0.46 pounds
Language
English
Type
Paperback
EAN/UPC
9781941960080

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About the Author
Raymond Luczak is the author and editor of over 30 books, including U.P.-centric titles such as Far from Atlantis: Poems (Gallaudet University Press), Chlorophyll: Poems about Michigan's Upper Peninsula (Modern History Press), and Compassion, Michigan: The Ironwood Stories (Modern History Press). His poetry collection once upon a twin: poems (Gallaudet University Press) was a top ten U.P. Notable Book of the Year for 2021. His work has appeared in Poetry, Prairie Schooner, and elsewhere. A proud Yooper, he lives in Minneapolis, Minnesota.
David Langford contributed to Alien Emergencies from Tom Doherty Associates.
Christopher Jon Heuer is the author of Bug: Deaf Identity and Internal Revolution and All Your Parts Intact: Poems. His short stories and poetry have appeared in many anthologies and periodicals. He is a professor of English at Gallaudet University in Washington, D.C.
Reviews

"So often the future we imagine is homogenous: everyone has the same baseline abilities and there is a presumption that all five senses are the norm. This collection has stories of people accessing new technologies, and people living in worlds where to hear is to be abnormal. There are stories that explore the imposition of language values on the Deaf community and the harm committed in the name of 'help.' And there are stories in which we get to experience how others communicate. A thought-provoking collection." --Farah Mendlesohn, author of Rhetorics of Fantasy

"Even for someone like myself--a hearing person who has long been around the Deaf community--this anthology often gives insight into a series of deaf characters in a way perhaps no hearing writer ever could, from reading the innermost thoughts from a Deaf perspective in thriller/horror to science fiction and fantasy, and every genre in between, whether it's 'The Ear, ' which interestingly recalls the old radio drama Suspense or the more chilling 'In the Haunted Darkness, ' which puts into words the feelings of likely more than a few people, sadly. More importantly, those stories without a deaf character highlight the most crucial takeaway: a deaf writer can world-build and set scenes as well as anyone." --Dave Galanter, author of Troublesome Minds