I'll Burn That Bridge When I Get to It
Norman Finkelstein first made his name while still in graduate school when he exposed an acclaimed national bestseller as a hoax. He went on in subsequent decades to subject Israel's apologists as well as Holocaust hucksters to withering scrutiny.
In his new book, Finkelstein focuses his keen forensic eye on the canonical texts of identity politics. After methodically parsing them, Finkelstein concludes that they're lacking in intellectual substance. Instead, the real purpose of identity politics is to derail a class-based movement bent on radical change.
In a long, scathing chapter, Finkelstein analyzes the cult surrounding Barack Obama, which he reveals as the ultimate product of identity politics. The first Black president rose to power by having, in Obama's own cynical words, "pulled off a neat trick" by standing for nothing except his skin color. If "woke" liberals embraced him, it was because, beneath his hip veneer, Obama was a sure bet to prop up the corrupt status quo.
Along the way, Finkelstein recalls his own life in radical politics and his close encounters with cancel culture, which left him unemployed and unemployable. He situates his personal story within broader debates on academic freedom and poignantly concludes that, although occasionally bitter, he harbors no regrets about the choices he made.
"If I can't laugh, I don't want your revolution," Finkelstein declares. Laced with his signature wit, readers of this book will get to laugh along with him.
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Norman Finkelstein is the author of eleven books of poetry and six books of literary criticism, and has written extensively about modern poetry and Jewish literature. Born in New York City, he received his BA from Binghamton University and his PhD from Emory University. He is Emeritus Professor of English at Xavier University in Cincinnati, Ohio, where he has lived since 1980. His most recent works include IN A BROKEN STAR (Dos Madres Press, 2021), FROM THE FILES OF THE IMMANENT FOUNDATION (Dos Madres Press, 2018), THE RATIO OF REASON TO MAGIC (Dos Madres Press, 2016), TRACK (Shearsman Books, 2012) and INSIDE THE GHOST FACTORY (March Hawk Press, 2010). His most recent book of criticism is To Go Into the Words (2023), a volume of selected essays, which appears in the Poets on Poetry series from the University of Michigan Press. He writes and edits the poetry review blog Restless Messengers.
