Gordon Parks: The New Tide: Early Work 1940-1950
The emergence of a social conscience in rarely seen images from Parks' formative years
Focusing on new research and access to forgotten pictures, The New Tide, Early Work 1940-1950 documents the importance of these years in shaping Gordon Parks' passionate vision. The book brings together photographs and publications made during the first and most formative decade of his 65-year career.
During the 1940s Parks' photographic ambitions grew to express a profound understanding of his cultural and political experiences. From the first photographs he published in Saint Paul, Minnesota, and his relationship to the Chicago Black Renaissance, to his mentorship with Roy Stryker and his breakthrough work for America's influential picture magazines--including Ebony and Life--this book traces Parks' rapid evolution from an accomplished, self-taught practitioner to a groundbreaking artistic and journalistic voice.
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Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. During his storied tenures photographing for the Farm Security Administration (1941-45) and Life magazine (1948-72), Parks evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). He wrote numerous memoirs, novels and books of poetry, and received many awards, including the National Medal of Arts, and more than 50 honorary degrees. Parks died in 2006.
A new book examines Gordon Parks's transformation over the formative decade before his time as the first black staff photographer at Life magazine.--James Estrin "New York Times "
[Gordon Parks: The New Tide] looks back at the groundbreaking first decade of his career, during which he rose to become the first African-American photographer at LIFE magazine.--Miss Rosen "AnOther Magazine "
Charts the evolution and social conscience formed in the breakthrough early years of Gordon Parks's seven-decade career.--Globe and Mail
Gordon Parks -- perhaps more than any artist -- saw poverty as "the most savage of all human afflictions" and realized the power of empathy to help us understand it.--Maurice Berger "New York Times "
The catalog is as accomplished for the photographs it reprints as it is for its many fine essays on Parks, including those by Maurice Berger, Sarah Lewis, Deborah Willis and Philip Brookman, which contextualize Parks with the writers who mattered to him, Langston Hughes and Richard Wright among them.--Teju Cole "New York Times Magazine "
The early work of ground-breaking photojournalist Gordon Parks.--Guardian
