Eleven

Available
Product Details
Price
$14.00  $13.02
Publisher
Grove Press
Publish Date
Pages
208
Dimensions
5.6 X 8.4 X 1.1 inches | 0.4 pounds
Language
English
Type
Paperback
EAN/UPC
9780802145307

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About the Author
Patricia Highsmith (1921-1995) was the author of more than twenty novels, including Strangers on a Train, The Price of Salt and The Talented Mr. Ripley, as well as numerous short stories.
Born in Hertfordshire, he was educated at Oxford. He was a journalist for The Times. His novels include: Stamboul Train (1932), It's a Battlefield (1934), England Made Me (1935), The Heart of the Matter (1948), The Third Man (1950), Our Man in Havana (1958), The Human Factor (1978).
Reviews
"What is striking about these stories is their integrity: they are all of a piece; they grow, with that tensed-spring inevitability of the unfolding rose observed by elapsed-time photography; together they are a brilliant collection." --The Sunday Times (London)

"The mood of nagging apprehension is consistent, skillfully underplayed so that just the right amount of chill is induced with an economy of means." --J. R. Frankes, The New York Times Book Review

"Highsmith is the poet of apprehension rather than fear. . . . In her short stories Highsmith naturally has to adopt a different method. She is after the quick kill rather than the slow encirclement of the reader, and how admirably and with what field-craft she hunts us down." --Graham Greene

"Highsmith's genius is in presenting fantasy's paradox: successes are not what they seem . . . Where in the traditional fairy tale the heroine turns the toad into a prince, in Highsmith's fable the prince becomes a toad--success is nearly always fatal. . . . Combining the best features of the suspense genre with the best of existential fiction--a reflection--the stories are fabulous, in all senses of that word." --Paul Theroux

"A brilliant collection." --The Sunday Times (UK)

"One of the truly brilliant short-story writers of the 20th century." --Otto Penzler

"She's sui generis, a writer of almost occult power."--Richard Rayner, Los Angeles Times