Spiritual Moderns: Twentieth-Century American Artists and Religion
Erika Doss
(Author)
Description
Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá'í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism. Product Details
Price
$40.25
Publisher
University of Chicago Press
Publish Date
May 03, 2023
Pages
352
Dimensions
6.9 X 10.0 X 1.1 inches | 2.2 pounds
Language
English
Type
Hardcover
EAN/UPC
9780226820910
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About the Author
Erika Doss is an art historian whose books include Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism; Spirit Poles and Flying Pigs: Public Art and Cultural Democracy; Memorial Mania: Public Feeling in America; and American Art of the 20th-21st Centuries. Doss is Distinguished Chair in the Edith O'Donnell Institute of Art History at the University of Texas, Dallas.
Reviews
"Through detailed accounts of the life and work of four twentieth-century American artists, Doss works to unseat the notion that modern art and religion, or spirituality more generally, are incompatible and separate. She compellingly demonstrates how the significance of religion and spirituality in artistic practice has been suppressed and disavowed, or, alternatively, has contributed to an artist's lesser status within the art-historical literature. In each thoroughly researched and lucidly written chapter, she illuminates the importance of religion and spirituality for these artists and in so doing deepens our understanding of their work."--Rachael Z. DeLue, Christopher Binyon Sarofim '86 Professor in American Art, Princeton University
"Spiritual Moderns is an apt extension of Doss's rigorous art-historical scholarship, and there is a great need for this study. As Doss persuasively argues, it is time that the field of modern American art history recognized the singular importance of religion and spirituality within the production and reception of twentieth-century American art. The canonical figures Doss considers engaged deeply with their respective religious traditions while challenging conventional orthodoxies and crafting unique images of transcendence. Doss offers a compelling revisionist account of modern American art history and the cultural work that religion and spirituality performed, historically and aesthetically."--Marcia Brennan, Carolyn and Fred McManis Professor of Humanities, Rice University
"Doss's clear and cogent prose, accented by crisp illustrations of key works and supported by extensive research, make this distinctly focused and illuminating study an essential choice for art history collections."--Carolyn Mulac "Booklist"
"Doss successfully demonstrates that the story of American modernism is not as secular as it is often presumed to be, and shows without telling that art criticism and history that disregard religion are necessarily shallower than a discourse open to religious thinking and concerns."-- "The Brooklyn Rail"
"Spiritual Moderns is an apt extension of Doss's rigorous art-historical scholarship, and there is a great need for this study. As Doss persuasively argues, it is time that the field of modern American art history recognized the singular importance of religion and spirituality within the production and reception of twentieth-century American art. The canonical figures Doss considers engaged deeply with their respective religious traditions while challenging conventional orthodoxies and crafting unique images of transcendence. Doss offers a compelling revisionist account of modern American art history and the cultural work that religion and spirituality performed, historically and aesthetically."--Marcia Brennan, Carolyn and Fred McManis Professor of Humanities, Rice University
"Doss's clear and cogent prose, accented by crisp illustrations of key works and supported by extensive research, make this distinctly focused and illuminating study an essential choice for art history collections."--Carolyn Mulac "Booklist"
"Doss successfully demonstrates that the story of American modernism is not as secular as it is often presumed to be, and shows without telling that art criticism and history that disregard religion are necessarily shallower than a discourse open to religious thinking and concerns."-- "The Brooklyn Rail"
