Listening to the Wind

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Product Details
Price
$18.00  $16.74
Publisher
Milkweed Editions
Publish Date
Pages
432
Dimensions
5.5 X 8.4 X 1.3 inches | 1.25 pounds
Language
English
Type
Paperback
EAN/UPC
9781571313706

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About the Author
A cartographer and writer, Tim Robinson studied mathematics at Cambridge and then worked for many years as a teacher and visual artist in Istanbul, Vienna and London, among other places. In 1972 he moved to the Aran Islands. In 1986 his first book, Stones of Aran: Pilgrimage, was published to great acclaim. The second volume of Stones of Aran, subtitled Labyrinth, appeared in 1995. He has also published collections of essays and maps of the Aran Islands, the Burren, and Connemara. Connemara: Listening to the Wind, first published in 2006, won the Irish Book Award for Nonfiction. Robinson divides his time between London and Roundstone, Connemara.
Reviews
"Many landscape writers have striven to give their prose the characteristics of the terrain they are describing. Few have succeeded as fully as Tim Robinson."--Robert Macfarlane

"Visitors to Connemara, that expanse of stony beauty in the west of Ireland, are often struck by its stillness. One of the most eloquent readers of that silence is the Yorkshire-born writer Tim Robinson, whose new collection of essays succeeds in the difficult task of staying true to the verities of a place on to which so many fantasies have been projected. . . . Robinson writes with lapidary precision about a landscape so frequently shrouded in cliché that its unmediated truths are often invisible."--The Guardian

"Tim Robinson is a stylist of exceptional cadence, tact and ingenuity. . . . At their most intricate, measured and exalting, his sentences sound like the sermons of John Donne, or the elaborate essays of Sir Thomas Browne. And yet: there is nothing antiquarian about this style; it may echo the voices of the great writers who have passed before him--Roderick O'Flaherty in the 17th century, Thackeray in the 19th--but Robinson's is a medium woven as much out of modern environmental science, land art and fractal geometry as it is from the sonorous periods of the past."--The Telegraph (UK)