Joyce's Voices
Hugh Kenner
(Author)
Description
When a correspondent from Missouri wrote to Hugh Kenner and asked that he elaborate on his assertion that "Joyce began Ulysses in naturalism and ended it in parody," Kenner answered with this book. Joyce's Voices is both a helpful guide through Joyce's complexities, and a brief treatise on the concept of objectivity: the idea that the world can be perceived as a series of reports to our senses. Objectivity, Kenner claims, was a modern invention, and one that the modernists-Joyce foremost among them--found problematic. Accessible and enjoyable, Joyce's Voices is what so much criticism is not: an aid to better understanding--and enjoying more fully--the work of one of the world's greatest writers.
Product Details
Price
$14.95
$13.90
Publisher
Dalkey Archive Press
Publish Date
January 01, 2007
Pages
120
Dimensions
5.0 X 7.8 X 0.4 inches | 0.35 pounds
Language
English
Type
Paperback
EAN/UPC
9781564784285
BISAC Categories:
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About the Author
Hugh Kenner (1923-2003) was perhaps the greatest Anglophone literary critic of the 20th century: no other figure has been so instrumental in our understanding of modernism and its key figures, or so crucial to the development of new ways to think about new literature. Kenner taught at UC Santa Barbara, Johns Hopkins, and the University of Georgia.
Reviews
Kenner's work is an achievement of a polymath: it ranges from Jonathan Swift to Flaubert, and from Dickens to T. S. Eliot, circling around its two main concerns: Joyce's Ulysses and the death of objectivity as a privileged style in modern literature.
As always, Kenner is original, provocative, stimulating, occasionally perverse, and immensely readable . . . The book offers important new insights into Joyce's art.
The volume is easy to handle and a delight to read. And Kenner's leaping wit, his metaphors, his transitions from insight to insight, his lively attention to Joyce's invention these qualities make it difficult, if you pick it up one evening, not to finish it before turning off the light.
As always, Kenner is original, provocative, stimulating, occasionally perverse, and immensely readable . . . The book offers important new insights into Joyce's art.
The volume is easy to handle and a delight to read. And Kenner's leaping wit, his metaphors, his transitions from insight to insight, his lively attention to Joyce's invention these qualities make it difficult, if you pick it up one evening, not to finish it before turning off the light.
"An original and entertaining study of, chiefly, "Ulysses.".. This is a most stimulating book."-Anthony Burgess
