At Freddie's
Penelope Fitzgerald
(Author)
Description
"A jewel of a book." --Daily Mail It is the 1960s, in London's West End, and Freddie is the formidable proprietress of the Temple Stage School, which supplies child actors for everything from Shakespeare to musicals to the Christmas pantomime. Of unknown age and provenance, Freddie is a skirt-swathed enigma--a woman who by sheer force of character and single-minded thrust has turned herself and her school into a national institution. Anyone who is anyone must know Freddie. Filled with unique and hilarious insights into the theatrical world, At Freddie's is a beguiling story for those of us who sometimes pretend to be something we are not. "Love, fear, class, ambition, even death--it's all in here, but so elegantly presented that you've finished your plate before you even think to ask about the ingredients." --National Public Radio
Product Details
Price
$16.99
Publisher
Harper Paperbacks
Publish Date
October 14, 2014
Pages
256
Dimensions
5.3 X 7.9 X 0.7 inches | 0.55 pounds
Language
English
Type
Paperback
EAN/UPC
9780544359482
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About the Author
PENELOPE FITZGERALD (1916-2000) was one of the most elegant and distinctive voices in British fiction. She won the National Book Critics Circle Award in fiction for The Blue Flower, the Booker Prize for Offshore, and three of her novels -- The Bookshop, The Gate of Angels, and The Beginning of Spring -- were short-listed for the Booker Prize.
Reviews
"A work of immense poise and dignity, but warmth and humor, too... This is definitely one of the most charming - but strongly textured - novels anyone will read in a long while." Booklist, ALA
"Fiztgerald is a deft and nimble writer...[who] displays the English gift for understatement. Her apt phrases are tossed off casually; her humor is flicked at us airily. [At Freddie's] is intriguing to the end." The Washington Post "Mrs. Fitzgerald's special talent is stylistic, a mannered comic dryness that relishes absurdities without dwelling on them too long: she moves at speed, is full of dry observations and inventions, and at her best is very funny." -- Anthony Thwaite Observer --
