When We Were Alone

(Author) (Illustrator)
Available
Product Details
Price
$21.95  $20.41
Publisher
Highwater Press
Publish Date
Pages
32
Dimensions
7.4 X 8.35 X 0.39 inches | 0.57 pounds
Language
English
Type
Hardcover
EAN/UPC
9781553796732

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About the Author

David A. Robertson (he/him/his) is the 2021 recipient of the Writer's Union of Canada's Freedom to Read Award. He is the author of more than 25 books for young readers including When We Were Alone, which won a Governor General's Literary Award and was a finalist for the TD Canadian Children's Literature Award. David's most recent works include the graphic novel Breakdown (The Reckoner Rises, Vol. 1), middle grade novel The Barren Grounds, children's book On the Trapline, and memoir Black Water: Family, Legacy, and Blood Memory. He is also the writer and host of the podcast Kíwew, which won the 2021 RTDNA Prairie Region Award for Best Podcast.

A sought-after speaker and educator, David is a member of Norway House Cree Nation. He lives in Winnipeg.

Julie Flett is a Swampy Cree and Red River Métis author, illustrator and artist. She has received numerous awards for her picture books, including the Governor General's Award for When We Were Alone and On The Trapline (written by David A. Robertson), the American Indian Library Association Award for Little You (written by Richard Van Camp) and a BolognaRagazzi Award special mention for We Sang You Home (also written by Richard Van Camp). She is the three-time recipient of the Christie Harris Illustrated Children's Literature Award. Her picture book Birdsong was awarded the TD Canadian Children's Literature Award for 2020 and Wild Berries was chosen as Canada's First Nation Communities Read title selection for 2014-2015.

Reviews
Robertson's soft rhythmic text and Julie Flett's simple, yet expressive, illustrations combine to create a beautiful story of strength and resistance. The muted colours used in the pictures of residential school life remind readers of the suffering endured by Indigenous children. The contrast between these pages, and the vibrant greens, reds, and blues of the illustrations depicting residential school students temporarily escaping into nature, is heartbreakingly effective. Robertson never tries to disguise the underlying tragedy of Nókom's experience, but together he and Flett have crafted a book that is still suitable for younger readers, in spite of the intense subject matter.

When We Were Alone is an incredible work of art and is very highly recommended.

--Roseanne Gauthier "National Reading Campaign"
A quiet story...of love and resistance.... Flett's collage illustrations, with their simplicity and earthy colors, are soulful and gentle.... All readers will connect with how Nókom lives in celebration of colors, her long hair, her language, and, most of all, her family.--a starred review "The Horn Book Magazine"
When We Were Alone is rare. It is exquisite and stunning, for the power conveyed by the words Robertson wrote, and for the illustrations that Flett created. I highly recommend it.--Debbie Reese "American Indians in Children's Literature"

...Robertson handles a delicate task here admirably well: explaining residential schools, that shameful legacy, and making them understandable to small children. It's a dark history, and the author doesn't disguise that, but he wisely focuses the grandmother's tale on how, season by season, the students use creativity, imagination, and patience to retain their sense of identity. A beautifully quiet, bold strength arises from the continued refrain "When we were alone" and in how the children insisted on being themselves. Flett's gorgeous, skillful illustrations have a flattened, faux naïve feel to them, like construction paper collage, a style that works perfectly with the story. She nicely contrasts the school's dull browns and grays with the riotous colors surrounding Nókom and gets much expression from her simple silhouettes.

Spare, poetic, and moving, this Cree heritage story makes a powerful impression.

-- "Kirkus Reviews"
Robertson's text moves between the present and the past, the girl's questions and Nókom's memories, which deepen and intensify the quiet, powerful way she lives out her own culture, day by day, in the present. A beautifully rendered story of resisitance and love, this is made all the more luminous by Flett's art - not just by flashes of fuschsia or scarlet among ochre grasses, but by her precisely observed images of the compact bodies of the uniformed children, bowed beneath the weight of the scissors, or lovingly tending each other's hair. Highly recommended.--Deirdre Baker "Toronto Star"