You Cannot Resist Me When My Hair Is in Braids
Frances Kai-Hwa Wang
(Author)
Description
Lyrical, hilarious, and heartbreaking collection exploring Asian American identity, love, community, and power.
In the aftermath of a messy divorce, Frances Kai-Hwa Wang writes in the hope of beginning to build a new life with four children, bossy aunties, unreliable suitors, and an uncertain political landscape. The lyric essays in You Cannot Resist Me When My Hair Is in Braids deftly navigate the space between cultures and reflect on lessons learned from both Asian American elders and young multiracial children, punctuated by moments rich with cultural and linguistic nuance. In her prologue, Wang explains, "Buddhists say that suffering comes from unsatisfied desire, so for years I tried to close the door to desire. I was so successful, I not only closed the door, I locked it, barred it, nailed it shut, then stacked a bunch of furniture in front of it. And now that door is open, wide open, and all my insides are spilling out."
Full of current events of the day and #HashtagsOfTheMoment, the topics in the collection are wide ranging, including cooking food to show love, surviving Chinese School, being an underpaid lecturer, defending against yellow dildos, navigating immigration issues, finding love in a time of elections, crying with children separated from their parents at the border, charting the landscape of frugal/hoarder elders during the pandemic, witnessing COVID-inspired anti-Asian American violence while reflecting on the death of Vincent Chin, teaching her sixteen-year-old son to drive after the deaths of Trayvon Martin and George Floyd, and trusting the power of writing herself into existence. Within these lyric essays, some of which are accompanied by artwork and art installations, Wang finds the courage and hope to speak out for herself and for an entire generation of Asian American women.
A notable work in the landscape of Asian American literature as well as Midwest and Michigan-based literature, You Cannot Resist Me When My Hair Is in Braids features a clear and powerful voice that brings all people together in these political and pandemic times.
Product Details
| Publisher | Wayne State University Press |
| Publish Date | March 01, 2022 |
| Pages | 118 |
| Language | English |
| Type |  Paperback / softback |
| EAN/UPC | 9780814349410 |
| Dimensions | 8.3 X 5.4 X 0.4 inches | 0.3 pounds |
About the Author
Frances Kai-Hwa Wang is an award-winning poet, essayist, journalist, activist, scholar focused on issues of Asian America, race, justice, and the arts. Her writing has appeared in online publications at PBS NewsHour, NBCAsianAmerica, PRIGlobalNation, Center for Asian American Media, and Detroit Journalism Cooperative and in Cha: An Asian Literary Journal, Kartika Review, Drunken Boat, Joao Roque Literary Journal. She co-created a multimedia artwork for Smithsonian Asian Pacific American Center, and she is a Knight Arts Challenge Detroit artist.
Reviews
As a longtime Asian American activist and musician, I was blown away by how Wang communicated so viscerally the struggle to be oneself. Reading her lyrical and nuanced pieces called to mind that line from the Billie Holiday song, "You don't know what you love is until you've learned the meaning of the blues."
--Francis Wong "cofounder of Asian Improv aRts, lecturer, San Francisco State University, Asian American studies"I confess, I spent no small amount of time ruminating on these questions while reading the first half of Braids, since I would obviously need to describe it in a review. But here's the thing: Once I let go of trying to figure out what Braids was, exactly -- and instead got into the practice of approaching each short piece with an open mind and a curiosity about where Wang might take me next -- I unlocked its power.
--Jenn McKee "HOUR Detroit"The book is full of life, a celebration of things that make it worth living -- including, but not limited to, food, make-outs, and friendship. While dense with layers of human experience, it's a quick read because the rhythms of Wang's direct language draw readers swiftly along. The prose-poetry format allows Wang to skip without preamble straight from one poignant moment to another, with her eyes open to the simple pleasures, profound mysteries, and lurking terrors of the human experience.
--Jay Gabler "The Tangential"Earn by promoting books
