Isaac Bashevis Singer: Writings on Yiddish and Yiddishkayt bookcover

Isaac Bashevis Singer: Writings on Yiddish and Yiddishkayt

The War Years, 1939-1947
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Description

Isaac Bashevis Singer's Writings on Yiddish and Yiddishkayt: The War Years, 1939-1945, is the first major effort to fill the gap between the Nobel laureate's Yiddish and English oeuvre.


Knowing that a whole world, a whole way of life, a whole cultural treasure bound up with Yiddish and Yiddishkayt--that they were all going up in flames before his very eyes--was crushing for Singer, driving him to put pen to paper and write.


His wartime writing--appearing in an intensely urgent tone--sought to record not only the customs but also the immediacy of the loss that was taking place at that very moment.

Product Details

PublisherWhite Goat Press
Publish DateNovember 14, 2023
Pages181
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9798987707890
Dimensions8.0 X 5.1 X 0.3 inches | 0.6 pounds

About the Author

Isaac Bashevis Singer was a Polish-born Jewish- American author noted for his short stories. He was one of the leading figures in the Yiddish literary movement, receiving numerous awards and honors for his work. In 1978, Singer was awarded the Nobel Prize in Literature. A prolific writer, the main theme of Singer's works is the clash between tradition and renewal-preservation versus regeneration-which serves as a backdrop to stories delving into the grip of human passions that unleash the destructive, yet also constructive, force of the emotions. Singer's profound talent allowed him to manage these weighty topics with a light, often comedic, touch.

Reviews

"This collection reaches beyond Singer's later-in-life persona as an avuncular Yiddish man of letters to reveal a complicated writer who was unafraid to display unsanitized emotion and be as provocative in his nonfiction as he was in his fiction. It's a boon for Singer's admirers and newcomers alike."
― Publishers Weekly

"Sheds light on the early, developmental years of the young, passionate writer."
― Kirkus Reviews

"A solid collection of Yiddish thought from an esteemed writer, at a pivotal time in Jewish history."
― Library Journal

"This spellbinding collection of essays, written with raw urgency in the Shoah's shadow, offers a new view not just of Bashevis Singer's worldly and other‐worldly tilts but of a Yiddishkeit pumping with great vitality through literary conduits."
― Benjamin Balint, author of Bruno Schulz: An Artist, a Murder, and the Hijacking of History

"Perhaps the first book in English of Singer's writings to get fully out from under his very compelling, very successful self-presentation and show us the man himself, responding to the Holocaust in real-time and in the vigorous, straightforward language of the newspapers. The great writer's storytelling power repeatedly bursts through, while Stromberg's insightful headnotes give us a kind of biography of Singer in the war years while revealing much about the roots of Singer's later art."
― Damion Searls, author of "A Guide to Isaac Bashevis Singer"; translator of Hans Keilson, Comedy in a Minor Key and 1944 Diary, and Jon Fosse, Septology

"...we experience Singer's shock and agony, as he helplessly watches a complex and rich cultural world--his world--die."
― Helen Schulman, Public Seminar

"...over time, Singer developed a persona for himself as the sole living inheritor and caretaker of authentic Yiddishkeit. This strategy turned out to be a successful one, especially in the eyes of his English-speaking readers. Thanks to Stromberg's translations, we can see the first signs of Singer's evolution into this role."
― Mikhail Krutikov, Forverts

"...a fascinating window onto the writer and the time period, and will be considered essential for any serious reader of Singer's work."
― Rokhl Kafrissen, Tablet

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