Why Trilling Matters


Product Details

Yale University Press
Publish Date
4.95 X 0.54 X 7.65 inches | 0.5 pounds
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About the Author

Adam Kirsch is a senior editor at the New Republic and a columnist for Tablet magazine. He is the author of several books of poetry and criticism, and most recently of a short biography of Benjamin Disraeli. He lives in New York City.


"Why Trilling Matters is not simply the best book yet written on Lionel Trilling. Its subject . . . is the pretext for an invigorating magic trick. With Trilling's help, Kirsch transforms a backward glance into a forward step."--Michael Kimmage, New York Times Book Review--Michael Kimmage "New York Times Book Review "
"Eminently readable...a brief, enthusiastic rejuvenation of Trilling's work."--Michael Washburn, Boston Globe--Michael Washburn "Boston Globe "
"An attractive account of a powerful critic."--Jacques Barzun, Wall Street Journal--Jacques Barzun "Wall Street Journal "
"Kirsch deftly untangles [Trilling's] intellectual journey, freeing Trilling from the collective opinions of a generation."--Gerald Russello, Wilson Quarterly--Gerald Russello "Wilson Quarterly "
"If any contemporary mind can be said to be Lionel Trilling's inheritor and indispensable successor, both in imaginative breadth and cultural comprehensiveness, it is Adam Kirsch. As Matthew Arnold served Trilling, so does Trilling serve Kirsch--as a model of literary and humanist heroism. And though Kirsch arrives on the scene some three generations afterward, he sees into the older critic's complex, strenuous, yet unassuming sensibility as no one before him has succeeded in doing. Why Trilling Matters is a small but elastic masterwork that enlarges, with crucial immediacy, our own understanding of why literature itself must matter."--Cynthia Ozick--Cynthia Ozick
"This finely reflective reconsideration of Trilling argues persuasively for his enduring relevance, not as an interpreter of literature but as a critic forging a self through the restless engagement with literature."--Robert Alter, author of Pen of Iron: American Prose and the King James Bible--Robert Alter
"In the compass of a short book, Kirsch manages to convey the spirit of [Trilling's] writings . . . giving his work the same kind of subtle and nuanced reading that Trilling gave to others."--Gertrude Himmelfarb, New Criterion--Gertrude Himmelfarb "New Criterion "
"In Why Trilling Matters, Kirsch has turned his considerable gifts to the mind he most resembles in comprehensive literary and cultural understanding. . . . Lionel Trilling, like Adam Kirsch himself, illustrates that reading deeply and wisely is not a credential for critics only, but everyone's last best hope of being better."--William Giraldi, The Daily Beast--William Giraldi "The Daily Beast "
"Remarkable . . . Adam Kirsch has brought [Trilling] back to us with a balance that his subject would appreciate."--Alan Cooper, Jewish Book World--Alan Cooper "Jewish Book World "
"One of the central insights of Adam Kirsch's thoughtful and unusual little book is that Trilling was more concerned than most critics have been with what certain sorts of literature do for their readers."--Stefani Collini, New Statesman--Stefani Collini"New Statesman" (11/28/2011)
"[T]o read Kirsch is to be brought into the dialogue between literature and its best readers . . . The best critics help us understand and even shape our own characters. Like Trilling. Like Kirsch."--David Wolpe, The Jewish Journal--David Wolpe "The Jewish Journal "
"Adam Kirsch, a poet, literary critic and senior editor at The New Republic, thinks that we have lost something valuable with the passing of Trilling and his generation, and has written a compact, engrossing book to make his case."--Ian Marcus Corbin, Wall Street Journal (Europe)--Ian Marcus Corbin"Wall Street Journal (Europe)" (11/04/2011)

"This is a masterful book by a carefully attentive critic in close touch with his subject. Kirsch stresses the dialectical, experiential character of Trilling's writing, his perpetual shifting dialogue with himself and his times. A splendid and genuinely illuminating piece of work."--Morris Dickstein, author of Dancing in the Dark: A Cultural History of the Great Depression

--Morris Dickstein

"Adam Kirsch has given us an inspiring invitation to the life of alert freedom that Lionel Trilling showed literature enables, a life of questioning the self in order to become one."--Mark Lilla, Columbia University--Mark Lilla

"Adam Kirsch's clear-headed book about the esteemed American critic Lionel Trilling comes at a propitious time. . . . the volume suggests Trilling's writing could be of use in refurbishing criticism today and in the future."--Bill Marx, Arts Fuse--Bill Marx "The Arts Fuse "

"Heartening . . . [a] spirited defense of Trilling."--Jeffrey Meyers, Commonweal--Jeffery Meyers "Commonweal "

"[A] welcome book . . . [that] makes abundantly clear it is still possible to pick up and read Trilling--as Leavis once said about a poem of Donne's--'as we read the living.'"--William H./I>--William H. Pritchard "Hudson Review "
"In setting out to demonstrate that Trilling still matters, Kirsch is asserting the value of literature and a literary culture. If Trilling thought and wrote, frequently, about the relation of literature to society, it was because, like Matthew Arnold on whom he "modelled himself in certain ways", he saw in literature the necessary and most penetrating criticism of society, of "the way we live now"."--Alan Massie, Times Literary Supplement-- (02/03/2012)
"... [A] timely, incisive, succinct study."--Paul Binding, The Spectator--Paul Binding"The Spectator" (03/17/2012)