"As the first English language monograph dedicated to early Ottoman printing, Orlin Sabev's Waiting for Müteferrika: Glimpses of Ottoman Print Culture offers an informative and thoroughly researched assessment of how print technology and culture permeated the Ottoman book market and society in the eighteenth century. ... One of the book's great strengths is the broad and creative expanse of these sources, which present an assortment of insights into Ottoman attitudes toward printing and printed books. ... Waiting for Müteferrika: Glimpses of Ottoman Print Culture stands tall as the first English language scholarly work devoted solely to the Müteferrika press. It is a book that Ottoman historians and Turkologists alike have been waiting for, and it will also prove valuable for scholars of early print, incunabula, modernization, Islamic studies, and Middle East studies."

-Yasemin Gencer, Indiana University, Journal of Near Eastern Studies

"Even if there is no good answer for 'why' printing was such a late innovation in the Ottoman realm, we do not lack information about 'early' printing in Arabic script in Turkey. In this regard, we owe much, especially in the past two decades, to Sabev, who records an impressive list of his own publications on the subject (21 titles) in his bibliography. In fact, the present book is a synthesis of earlier studies on Ottoman printing, both by Sabev and others. ... Sabev's work is a welcome contribution to the complex subject of Ottoman printing. ... Waiting for Müteferrika is a well-written synthesis about one instance when printing became a genuine agent of change." -Jan Just Witkam, Leiden University, Quærendo Vol. 49

"The book sheds light on different aspects of the emergence of the first Ottoman printing press. It also opens multiple questions related to both the historical event of Müteferrika's endeavour, and to modern historiographical attitude not only towards printing in the context of the Ottoman Empire, but also to questions of decline and comparison to developments in European public sphere. In that context, one further question can be posed: while comparisons with late medieval/early modern European experience with print is valid, is it possible to extend them to other non-European societies, such as the premodern China or India? What would be the meaning of the Ottoman 'experiment' with print then? This book is recommended for scholars and students wishing to know more about the 18th century material and technological developments and the effect that Müteferrika's printing project had on the centuries to come." -Dzenita Karic, darulfunun ilahiyat Vol. 30, No. 1