Pavlic turns to canonical images and tropes but adds blues, jazz, jargon, and slang in a distinctly contemporary and vigorous American idiom.... The final long piece, part of the series of prose poems called 'Verbatim, ' is marvelous. A dialogue, more play than poem, it is playful, reminiscent of Beckett but more explicitly philosophical. By itself it makes this entire intriguing collection worthwhile.
--Booklist

If we woke up one morning and there were no words around it would be because Ed Pavlic got them all and made a kaleidoscope of poetry. 'Astonishing' doesn't describe anything, I realize that, but that's what came to mind as I read through.
--Washington Independent Review of Books

"The abundant second-person addresses of Ed Pavlic's Visiting Hours at the Color Line signal these remarkable poems are in conversation with us: our culture, our history, our ghosts. His is a Hopkins-like sprung rhythm of, not only syntax, but edifying consciousness pulsing in a language of idiomatic lyrics and impressions. Even after enraptured multiple readings, I am incapable of succinctly praising this poet's immense talent and this new book's urgent, beautiful complexities."
--Terrance Hayes

"Ever since I discovered Ed Pavlic's poetry, I find myself measuring other authors against the steady stream of his voice, and the heart and politics one finds in his short and long lines--the very sound of freedom. There are two or three writers one always looks forward to reading, always, and Ed Pavlic, especially in his new book, Visiting Hours at the Color Line, is one of them."
--Hilton Als

"The self can seem some sinuous melody until otherness syncopates that self-sung, self-singing song. Ed Pavlic's Visiting Hour at the Color Line opens itself, poem by poem, to those interruptions of mere self that mark the awakening not only to our ethical life, but to our erotic one as well. Improvisation within a theme--be it the domestic or be it the workplace, be it history or be it the intimate now--riddles song with those discontinuities in which poetry's deepest vitality resides. Assumed orders of being dismantle as they become thrilled. Pavlic plays us this tune of falling apart so as to stay together. These poems don't prove, but play within the fundamental suspicion that ethics and erotics are one. It is a tune we need to hear: one that lulls where sleep rightly beckons, and one that wakes as exactly where it is we must be awake."
--Dan Beachy-Quick

"To fully enjoy the sweet complexity and gravity-defying genre blending in Pavlic's Visiting Hours at the Color Line, one has to first put aside fears of postmodern tricksterism and fake-outs, then come to believe that 'talk' happens without words. Inside his staunch, idiomatic phrasings and syntactic figurations is a heart bursting with sharp observations and a desire to read the nonverbal signs that point to and record our supreme humanity. Such poetry is deeply personal and masterfully arranged."
--Major Jackson

The tension in Ed Pavlic's poems is a language-cable wrought to swing you out over unnerving spaces, let you see and hear what they really hold, and bring you back up more alive than you were before.
--Adrienne Rich

There's a beauty embodied in this poet's straightforward journey.
--Yusef Komunyakaa

Ed Pavlic's poetry balances itself on a tightrope of musical strings strung across a precipice between the irrational and the rational.
--Stanley Moss