Victorian Science and Imagery
Nancy Rose Marshall
(Author)
Description
Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Product Details
| Publisher | University of Pittsburgh Press |
| Publish Date | July 27, 2021 |
| Pages | 365 |
| Language | English |
| Type |  Hardback |
| EAN/UPC | 9780822946533 |
| Dimensions | 9.2 X 6.4 X 1.5 inches | 1.6 pounds |
Reviews
Expertly and beautifully written, the essays probe, with concrete examples, the busy traffic between the eye and the mind during an important period of modernity. This book will handsomely reward careful readers. Highly recommended.-- "CHOICE"
Nancy Rose Marshall's excellent new collection, Victorian Science and Imagery: Representation and Knowledge in Nineteenth-Century Visual Culture, gleefully abandons any kind of Aristotelian unity that might set limits to its enquiry, embracing instead the full diversity encompassed by its title.-- "Victorian Studies"
This brilliantly conceived volume, exploring nineteenth-century art's relationship to contemporary science, is essential reading. Whether discussing peacocks, the wind's motion, or geological formations, these lucid and original essays reevaluate central questions about materiality and corporeality, illusions and the invisible, perception and subjectivity, and the intertwined operations of eye and brain.--Kate Flint, University of Southern California, Dornsife College of Letters, Arts, Sciences
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