Under the Sign of Saturn bookcover

Under the Sign of Saturn

Essays
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Description

This third essay collection by America's leading essayist brings together her most important critical writing from 1972 to 1980, in which she explores some of the most influential artists and thinkers of our time.

Product Details

PublisherPicador
Publish DateNovember 09, 2002
Pages224
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9780312420086
Dimensions215.9 X 139.7 X 0.5 mm | 0.6 pounds
BISAC Categories: Literary Fiction

About the Author

Susan Sontag was the author of four novels, including The Benefactor, Death Kit, The Volcano Lover, and In America, which won the 2000 National Book Award for fiction; a collection of stories, I, etcetera; several plays, including Alice in Bed; and nine works of essays, among them On Photography, which won the National Books Critics Circle Award for criticism. In 2001, Sontag was awarded the Jerusalem Prize for the body of her work. She died in New York City in 2004.

Reviews

“In this collection, Sontag masters all she chooses to survey. She is a noble appreciator. Integrity, wholeness, large-sighted vision are intrinsic to Sontag's care for the intellectual life....Under the Sign of Saturn includes two long articles that belong together: the famed, polemical, whipping of Leni Riefenstahl's laundered reputation and camp cult of fascist art, and her stunning analysis of Hans-Jürgen Syberberg's Hitler, a Film from Germany.... After this feast, I am eager for her thoughts on anything.” —Chicago Sun-Times

“A self-described ‘besotted aesthete' and ‘obsessed moralist,' Sontag, more than most writers of her generation, views the everyday business of thinking and feeling as dialectical aspects of one another. Refining that sensibility while attending to the more provocative issues of the day, Sontag has created a body of work of exemplary merit.” —The Boston Globe

“No one has written more passionately about Antonin Artaud....Nor has anyone before Sontag taken the pains to demolish so thoroughly Hitler's favorite moviemaker, Leni Riefenstahl. This is one of the crack essays in the book.” —Chicago Tribune

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