
Description
Does loss define us, or do we define loss? Tracing the duality of grief as it reverberates through a family, Callie Siskel wrestles with questions of identity and inheritance in precise, lucid poetry. Two Minds indulges and therefore exposes the vanity of turning private pain into art and the pursuit of self-revelation. Drawing on ekphrasis, ars poetica, and the prose poem, Siskel expands the elegiac genre as she oscillates between childhood and adulthood, art and mythology, as well as the natural and domestic world. At once cerebral and emotional, Two Minds is an essential meditation on the ways that loss cleaves and doubles our perceptive power.
Product Details
Publisher | W. W. Norton & Company |
Publish Date | April 16, 2024 |
Pages | 112 |
Language | English |
Type | |
EAN/UPC | 9781324073673 |
Dimensions | 8.4 X 5.8 X 0.5 inches | 0.5 pounds |
About the Author
Reviews
Two Minds is a stunning, singular debut. Deeply compelling, it is the wisest book I know about the ways grieving divides us from ourselves. These exquisitely written poems chart with delicacy and nuance the passage we face entering that hall of mirrors appearing before us after great loss. Yet Two Minds is also a poetic reflection on the wholeness we reconstruct upon reentering the world.... An instant classic.--David St. John, author of The Last Troubadour
Callie Siskel's beautiful and spare poems in Two Minds traverse the delicate yet relentless landscape of grief.... These poems often instigate with a scene from memory or an observation, then they are propelled by the declarative, oftentimes in plain diction and clean syntax.... Maybe in the end, grieving is about the self; as Siskel astutely writes: 'Vanity and grief / are closer than we think. // Grief's call-and-response / a mirror of our own making.' Siskel's poems are wise and thoughtful, quietly evocative.--Victoria Chang, author of Obit
In Two Minds, the hungers of loss, love, and familial bonds intersect at the interstices of art and memory. With a palate knife, Callie Siskel scrapes at the raw face of elegy, revealing interior forms on a canvas where the poet's father lives beyond death. Reminiscent of Elizabeth Bishop's One Art, these intimate poems achieve an enduring, painterly resonance that is startling and lucid in language.--Rachel Eliza Griffiths, author of Seeing the Body
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