Tumor Moon bookcover

Tumor Moon

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Description

The push of the poems move you through this very unified work, the elegant and surprising mix of medical/ scientific language blended with ordinary images, the emotion in each one. Each poem builds a crescendo you feel with the poet. There are a variety of forms to fit the specific subject of each poem that startle with both bluntness and eloquence. Not usually a fan of "medical/ disease" themed works, this one won me with its cool honesty and deftly articulated sentiment without sentimentality. You are with this woman and her son as she navigates their experience. And the "conclusion" is that there is no "end point" in this endeavor, only a resolve to move forward. Each time I read this, I loved it all over again!

-Raphael Kosek, author of Harmless Encounters, Winner of the Jessie Bryce Niles Chapbook Award

Product Details

PublisherConcrete Wolf
Publish DateMarch 31, 2025
Pages62
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9798989948888
Dimensions9.0 X 6.0 X 0.1 inches | 0.2 pounds
BISAC Categories: Poetry, Poetry

About the Author

Jennifer Saunders is the author of Tumor Moon, winner of the Concrete Wolf Chapbook Contest, and Self-Portrait with Housewife, winner of the Clockwise Chapbook Competition (Tebot Bach, 2019). She is also the co-editor of Stained: an anthology of writing about menstruation(Querencia Press, 2023), a multi-genre anthology that breaks the silence surrounding the menstruating body. Jennifer's poems and reviews can be found in Adroit, Chestnut Review, The Georgia Review, Literary Mama, Ninth Letter, Poet Lore, Salamander, San Pedro RiverReview, and elsewhere as well as in several anthologies and craft books including Masque Anthology and The Strategic Poet: Honing the Craft. Jennifer's poem "Crosswalk" was selected by Kim Addonizio as the winner of the 2020 Gregory O'Donoghue International Poetry Prize and appeared in Southword. Her poem "What If I Could Tell You Everything About Myself By Quoting Others?" earned an Honorable Mention in the Geneva Literary Prize judged by Sharon Mesmer. Jennifer is a multiple Pushcart, Best of the Net, and Orison Anthology nominee.Born and raised in suburban Chicago, Jennifer now lives in German-speaking Switzerland with her husband and two children. A lifelong hockey enthusiast, she has taught skating in a hockey school in Bern, Switzerland, for over ten years and continues to drive her hockeyplaying son to many, many ice rinks. She has seen some glorious moonrises and moonsets along the way.
Lana Hechtman Ayers, a former New Yorker who made her way to the Pacific Northwest after a dozen year sojourn in New England, has shepherded over a hundred thirty poetry volumes into print in her role as managing editor for three small presses. Her work appears in Rattle, The London Reader, Peregrine, and elsewhere. Lana's latest collection, The Autobiography of Rain, is available from Fernwood Press. She lives on the unceded land of the Yaqo'n people in Newport, Oregon with her husband and several cats and dogs.

Reviews

Echo, recoil, return, resonance. The stunning poems in Jennifer Saunders' Tumor Moon gesture toward and from instances of "event free survival" and threat, exploring the shapes and contours of the un/endurable. In the terrible uncertainty surrounding the speaker's child's desmoid tumor diagnosis, Saunders deftly creates a standard of care through language that opens into the possibility for hope amid potential catastrophe. This collection is equal turns fierce and fragile, delivering a scorching encounter between permanence

and impermanence, griefwork and gratitude. It is a book that I want to think alongside again and again.

-Chelsea Dingman, author of I, Divided

What can a mother do when her child is diagnosed with a rare tumor, or rather what can poetry do? Saunders' Tumor Moon shows us just that, through innovative forms and images that haunt and heal. She takes us deep into body and psyche, at once clinical and tender, "I wanted that- / for someone to take a knife / to my son. Out with that dark moon / orbiting the future." Her lyrical verse makes transparent the struggle of bearing diagnosis and treatment, the struggle of getting a story that refuses comprehension into language.

-Julia Kolchinsky, author of The Many Names for Mother

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