Tracing the Horse

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Product Details
Price
$17.00  $15.81
Publisher
BOA Editions
Publish Date
Pages
112
Dimensions
5.8 X 8.9 X 0.3 inches | 0.25 pounds
Language
English
Type
Paperback
EAN/UPC
9781942683872

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About the Author
Diana Marie Delgado is the Executive Director of Hugo House and has more than twenty years of experience working in not-for-profits focused on advancing social justice and the arts. Her first collection, Tracing the Horse, was a New York Times Noteworthy Pick. Her chapbook, Late-Night Talks with Men I Think I Trust, was the 2018 Center for Book Arts winner and she has published poetry in Ploughshares, Ninth Letter, New York Times Magazine, Colorado Review and Tin House. Delgado received her bachelor's degree at UC Riverside and her MFA at Columbia University. Her selected honors and awards include grants from the National Endowment for the Arts, Hedgebrook, Breadloaf, and the James D. Phelan Foundation. She is a member of the CantoMundo and Macondo writing communities.
Poet, novelist, journalist, activist, and critic Luis J. Rodriguez was born in El Paso, Texas, and grew up in the San Gabriel Valley of East Los Angeles. He served as the Poet Laureate of Los Angeles from 2014-2016. Rodriguez is recognized as a major figure in contemporary Chicano literature, and has received numerous awards for his work. His best-known work, Always Running: La Vida Loca, Gang Days in L.A., received the Carl Sandburg Literary Award, among others. Rodriguez has also founded or co-founded numerous organizations, including the Tía Chucha Press, which publishes the work of unknown writers, Tía Chucha's Centro Cultural, a San Fernando Valley cultural center, and the Chicago-based Youth Struggling for Survival, an organization for at-risk youth.
Reviews

"With vigorous wit and clarity, Diana Marie Delgado writes scenes of growing up in the San Gabriel Valley of Southern California. The poet traces the rich voice of identity through the turbulent passions of childhood and adolescence and their casually spoken, pungent lines that don't ever go away. Here, amid the myriad complications of the first phase of life, addiction and incarceration of relatives are but details, not destinies. These starkly succinct poems and prose poems map a powerful constellation of becoming. As she writes in another poem from this collection -- 'my journey is to forgive/everything that's happened.'"
--Naomi Shihab Nye for The New York Times Magazine

" Within Delgado's poetics, forgiveness stems from the creation of beauty. [She] provocatively challenges the boundaries between interior and exterior, self and other, individual and collective. Delgado's vulnerable, deep exploration of the self is memorable."
--Publishers Weekly

"In her debut poetry collection, Tracing the Horse, Diana Marie Delgado uses taut language and controlled recursion to render the life of her young narrator as she navigates the boundaries of her world in La Puente, a barrio in Los Angeles's San Gabriel Valley. The poems are ethereally beautiful--razor-sharp and dreamlike at once--as they explore the heavy realities and expectations of family, poverty, drugs, crime, and sexual exploitation. The poems gallop off from there, each title blooming into a memory, a whisper, a haunting--a horse in the night, flashing by lightning-fast. And you'll read them lightning-fast, too, hungry for the magic of Delgado's words."
--GUERNICA

"Delgado's first full-length poetry collection blooms in the barrio of La Puente in the San Gabriel Valley, and centers around a young woman and her family beset by addiction, incarceration, and other forms of violence. In one poem, the speaker wants to 'understand why the light in my dad's body / after the needle's tucked in is orange / on a river so silver I can barely see him.' In another poem that seeks to decipher her family's troubled legend, the speaker considers the role her mother plays: 'Maybe Mom's the horse / because aren't horses beautiful, / can't they kill a man if spooked?' A quiet sensuality underscores the domestic unrest, and Delgado's understated lyrics read like snippets from a private conversation with an unknown interlocutor, one who shares her intimacy with both sides of the law: 'California has a lot of prisons, all with beautiful names.' An introspective carousel of electric, lightning lyrics."
--Booklist