Thoreau's Axe: Distraction and Discipline in American Culture
Caleb Smith
(Author)
21,000+ Reviews
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Description
How nineteenth-century "disciplines of attention" anticipated the contemporary concern with mindfulness and being "spiritual but not religious"
Today, we're driven to distraction, our attention overwhelmed by the many demands upon it--most of which emanate from our beeping and blinking digital devices. This may seem like a decidedly twenty-first-century problem, but, as Caleb Smith shows in this elegantly written, meditative work, distraction was also a serious concern in American culture two centuries ago. In Thoreau's Axe, Smith explores the strange, beautiful archives of the nineteenth-century attention revival--from a Protestant minister's warning against frivolous thoughts to Thoreau's reflections on wakefulness at Walden Pond. Smith examines how Americans came to embrace attention, mindfulness, and other ways of being "spiritual but not religious," and how older Christian ideas about temptation and spiritual devotion endure in our modern ideas about distraction and attention. Smith explains that nineteenth-century worries over attention developed in response to what were seen as the damaging mental effects of new technologies and economic systems. A "wandering mind," once diagnosed, was in need of therapy or rehabilitation. Modeling his text after nineteenth-century books of devotion, Smith offers close readings of twenty-eight short passages about attention. Considering social reformers who designed moral training for the masses, religious leaders who organized Christian revivals, and spiritual seekers like Thoreau who experimented with regimens of simplified living and transcendental mysticism, Smith shows how disciplines of attention became the spiritual exercises of a distracted age.Product Details
Price
$38.40
Publisher
Princeton University Press
Publish Date
January 31, 2023
Pages
256
Dimensions
5.5 X 8.4 X 1.1 inches | 0.97 pounds
Language
English
Type
Hardcover
EAN/UPC
9780691214771
BISAC Categories:
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About the Author
Caleb Smith is professor of English at Yale University. He is the author of The Prison and the American Imagination and The Oracle and the Curse and the editor of The Life and the Adventures of a Haunted Convict. His writing has appeared in the Los Angeles Review of Books, n+1, and other publications.
Reviews
"With a colloquial tone, Smith makes a solid case that the contemporary take on distraction. . . is an old one that came about in the 19th century. . . . The result is a rousing academic study on the meanings of mindfulness."-- "Publishers Weekly"
"A fascinating new book."---Craig Fehrman, Boston Globe
"Smith's historicization of what he calls 'disciplines of attention' offers a useful check on reactionary nostalgia. Taking the measure of the distractions of the digital present requires caution."---Len Gutkin, Chronicle Review
"Thoughtful and well-written."---Alan Dent, The Penniless Press
"Elegant. . . . Gloomy yet humane."---Michael Ledger-Lomas, Spectator
"A fascinating meditation on "the 'infinite bustle' of modern life.""---Robert M. Thorson, Wall Street Journal
"Anxieties over attention and distraction are nothing new but also, and more to the point, [Smith] raises an enduring cultural contradiction: like Thoreau, many of us feel distracted by shifts and accelerations in collective life--by new media, to be sure, but also by capitalism and its myriad crises--and yet, to combat these collective distractions, we turn inward and desperately try to become more disciplined, attentive individuals. . . . Smith is not the first to name this tension, though his 'genealogy of distraction and the disciplines of attention' might be the first to unearth its deep cultural roots."---Chelsea Fitzgerald, Los Angeles Review of Books
"Much of Thoreau's Axe cuts deeply into American culture, revealing how discipline and punishment, often wielded from above, have defined for us the proper objects of attention: God, country, race, and the capitalist grind. But the blade of Smith's analysis is subtle, and what I find most remarkable about Thoreau's Axe is Smith's comfort with ambiguity, the apparent ease with which he makes space for contradiction, the degree to which his method depends on it."---Daegan Miller, Yale Review
"Smith's examples of attention being demanded rather than sought forces the reader to consider more carefully the goal of cultivating attention, and who benefits from such attention."---Shira Telushkin, Plough Quarterly
"A fascinating new book."---Craig Fehrman, Boston Globe
"Smith's historicization of what he calls 'disciplines of attention' offers a useful check on reactionary nostalgia. Taking the measure of the distractions of the digital present requires caution."---Len Gutkin, Chronicle Review
"Thoughtful and well-written."---Alan Dent, The Penniless Press
"Elegant. . . . Gloomy yet humane."---Michael Ledger-Lomas, Spectator
"A fascinating meditation on "the 'infinite bustle' of modern life.""---Robert M. Thorson, Wall Street Journal
"Anxieties over attention and distraction are nothing new but also, and more to the point, [Smith] raises an enduring cultural contradiction: like Thoreau, many of us feel distracted by shifts and accelerations in collective life--by new media, to be sure, but also by capitalism and its myriad crises--and yet, to combat these collective distractions, we turn inward and desperately try to become more disciplined, attentive individuals. . . . Smith is not the first to name this tension, though his 'genealogy of distraction and the disciplines of attention' might be the first to unearth its deep cultural roots."---Chelsea Fitzgerald, Los Angeles Review of Books
"Much of Thoreau's Axe cuts deeply into American culture, revealing how discipline and punishment, often wielded from above, have defined for us the proper objects of attention: God, country, race, and the capitalist grind. But the blade of Smith's analysis is subtle, and what I find most remarkable about Thoreau's Axe is Smith's comfort with ambiguity, the apparent ease with which he makes space for contradiction, the degree to which his method depends on it."---Daegan Miller, Yale Review
"Smith's examples of attention being demanded rather than sought forces the reader to consider more carefully the goal of cultivating attention, and who benefits from such attention."---Shira Telushkin, Plough Quarterly
