Thirty Poems
Robert Walser
(Author)
Christopher Middleton
(Translator)
Description
In a small, exquisite clothbound format resembling the early Swiss and German editions of Walser's work, Thirty Poems collects famed translator Christopher Middleton's favorite poems from the more than five hundred Walser wrote. The illustrations range from an early poem in perfect copperplate handwriting, to one from a 1927 Czech-German newspaper, to a microscript.Product Details
Price
$20.95
Publisher
New Directions Publishing Corporation
Publish Date
June 28, 2012
Pages
64
Dimensions
5.2 X 0.4 X 7.2 inches | 0.4 pounds
Language
English
Type
Hardcover
EAN/UPC
9780811220019
BISAC Categories:
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About the Author
Born 1878 in Switzerland, Robert Walser was at various times in his life a bank teller, office clerk, scribe, house servant, machinist's assistant, and archivist. Although he wrote four novels and some poetry, his production consisted mainly of hundreds of small prose pieces. Being small was a key concern. His writing got smaller and smaller until, before he ceased writing altogether, he wrote a tiny script with letters about one millimeter high. By this time he had committed himself to a sanitarium where he remained for 27 years, mostly not writing. Always an avid taker of walks, Walser died in a snowdrift while out for a walk in 1956.
Christopher Middleton (1926-2015) was born in Truro, Cornwall. He studied at Merton College, Oxford and then taught at the University of Zürich, at King's College, London, and finally as Professor of Germanic Languages at the University of Texas, Austin. He published translations of Robert Walser, Nietzsche, Hölderlin, Goethe and many contemporaries, receiving several awards, including the Geoffrey Faber Memorial Prize and the Schegel-Tieck Translation Prize. His poems, essays and selected translations are all published in the UK by Carcanet Press; his poems are published in the USA by Sheep Meadow Press, with assorted prose volumes appearing from Green Integer and the University of New Mexico Press. His later recent publications included: Nobody's Ezekiel (Hopewell Press, 2015), Collected Later Poems (Carcanet, 2014), Loose Cannons: Selected Prose (University of New Mexico Press, 2014); Collected Poems (Carcanet, 2008), Crypto-Topographia (prose, Enitharmon Press, London, 2002), The Word Pavilion and Selected Poems (Carcanet & Sheep Meadow Press, 2001), Jackdaw Jiving: Selected Essays on Poetry and Translation (Carcanet, 1998), Faint Harps and Silver Voices: Selected Translations (Carcanet, 2000).
Reviews
The single most underrated writer of the 20th Century.
The poems also give us Walser's manner in concentrated miniature, and it could be that rhyme - joining the disparate, cultivating the arbitrary - is at the heart of what he is doing. They are odd, whimsical, insouciant things, exhilarating in their ability to be what they are.
The magnificently humble. The enormously small. The meaningfully ridiculous. Robert Walser's work often reads like a dazzling answer to the question, How immense can modesty be? If Emily Dickinson made cathedrals out of em dashes and capital letters and the angle of winter light, Walser accomplished the feat with, well, ladies' feet and trousers and little emotive words like joy, uncapitalized...the two worked out in hoarded words a kindred kind of literature.--Rivka Galchen
The poems also give us Walser's manner in concentrated miniature, and it could be that rhyme - joining the disparate, cultivating the arbitrary - is at the heart of what he is doing. They are odd, whimsical, insouciant things, exhilarating in their ability to be what they are.
The magnificently humble. The enormously small. The meaningfully ridiculous. Robert Walser's work often reads like a dazzling answer to the question, How immense can modesty be? If Emily Dickinson made cathedrals out of em dashes and capital letters and the angle of winter light, Walser accomplished the feat with, well, ladies' feet and trousers and little emotive words like joy, uncapitalized...the two worked out in hoarded words a kindred kind of literature.--Rivka Galchen