The Walk
Robert Walser
(Author)
Susan Bernofsky
(Translator)
Description
A pseudo-biographical "stroll" through town and countryside rife with philosophical musings, The Walk has been hailed as the masterpiece of Walser's short prose. Walking features heavily in his writing, but nowhere else is it as elegantly considered. Without walking, "I would be dead," Walser explains, "and my profession, which I love passionately, would be destroyed. Because it is on walks that the lore of nature and the lore of the country are revealed, charming and graceful, to the sense and eyes of the observant walker." The Walk was the first piece of Walser's work to appear in English, and the only one translated before his death. However, Walser heavily revised his most famous novella, altering nearly every sentence, rendering the baroque tone of his tale into something more spare. An introduction by translator Susan Bernofsky explains the history of The Walk, and the differences between its two versions.Product Details
Price
$11.95
$11.11
Publisher
New Directions Publishing Corporation
Publish Date
May 23, 2012
Pages
89
Dimensions
4.4 X 0.4 X 6.8 inches | 0.2 pounds
Language
English
Type
Paperback
EAN/UPC
9780811219921
BISAC Categories:
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About the Author
Born 1878 in Switzerland, Robert Walser was at various times in his life a bank teller, office clerk, scribe, house servant, machinist's assistant, and archivist. Although he wrote four novels and some poetry, his production consisted mainly of hundreds of small prose pieces. Being small was a key concern. His writing got smaller and smaller until, before he ceased writing altogether, he wrote a tiny script with letters about one millimeter high. By this time he had committed himself to a sanitarium where he remained for 27 years, mostly not writing. Always an avid taker of walks, Walser died in a snowdrift while out for a walk in 1956.
For New Directions, Susan Bernofsky has translated Yoko Tawada's Where Europe Begins, The Naked Eye, and Memoirs of a Polar Bear (winner of the Warwick Prize for Women in Translation), eight titles by the great Swiss-German modernist Robert Walser, and five books by Jenny Erpenbeck, including The End of Days (winner of the Independent Foreign Fiction Prize). She is the author of Clairvoyant of the Small: The Life of Robert Walser, and teaches at Columbia University, where she also directs the literary translation program.
Reviews
Walser's project is mirrored and echoed by modernity's general obsession with interiority and exploring new forms of subjectivity. We should understand Walser's poetics of smallness as being as grandiose as anything that modernity has produced.
Incredibly interesting and beautiful.--John Ashbery
One of the most profound products of modern literature.--Walter Benjamin
The hope that shines forth in the moments of self-knowledge, transcendence, and grace Walser describes is anything but meager: on the contrary, it is exultation the writer feels when he perceives the sublime in the tiniest details of everyday life.
The Walk is a good place to start reading Walser, and offers a kind of bridge between the novels and the microscripts.... The walk is a search for freedom, is an act of freedom itself, and the writing feels free to launch into invective, or drape itself in courtesy, as it pleases. It is an attempt to approximate writing to life, to subject it to circumstance and chance encounter, but for all its overt artificiality the story is deeply affecting.
Incredibly interesting and beautiful.--John Ashbery
One of the most profound products of modern literature.--Walter Benjamin
The hope that shines forth in the moments of self-knowledge, transcendence, and grace Walser describes is anything but meager: on the contrary, it is exultation the writer feels when he perceives the sublime in the tiniest details of everyday life.
The Walk is a good place to start reading Walser, and offers a kind of bridge between the novels and the microscripts.... The walk is a search for freedom, is an act of freedom itself, and the writing feels free to launch into invective, or drape itself in courtesy, as it pleases. It is an attempt to approximate writing to life, to subject it to circumstance and chance encounter, but for all its overt artificiality the story is deeply affecting.
