
The Notebooks of Malte Laurids Brigge
Burton Pike
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Description
First published in 1910, Rilke's Notebooks of Malte Laurids Brigge is one the first great modernist novels, the account of poet-aspirant Brigge in his exploration of poetic individuality and his reflections on the experience of time as death approaches.
A young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story. This new translation by Burton Pike is a reaction to overly stylized previous translations, and aims to capture not only the beauty but also the strangeness, the spirit, of Rilke's German.
Product Details
Publisher | Dalkey Archive Press |
Publish Date | October 01, 2008 |
Pages | 198 |
Language | English |
Type | |
EAN/UPC | 9781564784971 |
Dimensions | 7.9 X 5.5 X 0.6 inches | 0.6 pounds |
About the Author
Reviews
"Translator Burton Pike captures the edgy, haunting beauty of this little-known masterpiece." --O Magazine
"One of the world's most beautiful books." --The Philadelphia Inquirer
"There have been books that have struck me like lightning and left me riven, permanently scarred, perhaps burned-out but picturesque; and there have been those that created complete countries with their citizens, their cows, their climate, where I could choose to live for long periods while enduring, defying, enjoying their scenery and seasons; but there have been one or two I came to love with a profounder and more enduring passion, not just because, somehow, they seemed to speak to the most intimate 'me' I knew but also because they embodied what I held to be humanly highest, and were therefore made of words which revealed a powerful desire moving with the rhythmic grace of Blake's Tyger; an awareness that was pitilessly unsentimental, yet receptive as a sponge; feelings that were free and undeformed and unashamed; thought that looked at all its conclusions and didn't blink; as well as an imagination that could dance on the heads of all those angels dancing on that pin. I thought that [Rilke's] Notebooks were full of writing that met that tall order." --William H. Gass
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