The Nature and Art of Workmanship bookcover

The Nature and Art of Workmanship

David Pye 

(Author)

Ezra Shales 

(Volume Editor)
4.9/5.0
21,000+ Reviews
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Description

A must-read book on David Pye's theory of craftsmanship and design.

In this thoroughly mechanised age, what is the point of craft? Does it make any sense to work with hand tools when machines can do the same job faster, and in many cases better? What visual richness do we lose by embracing a mass-produced world?

The Nature and Art of Workmanship explores the meaning of skill and its relationship to design and manufacture. Cutting through a century of fuzzy thinking, David Pye proposes a new theory of making based on the concepts of 'workmanship of risk' and 'workmanship of certainty'. And he shows how good workmanship imparts all-important diversity to our visual environment.

No-one who works with tools and materials, or who designs things for others to make, can afford to be without this penetrating book. This newly revised edition includes an illustrated foreword by John Kelsey, former editor of Fine Woodworking magazine, on David Pye's own turned and carved vessels of wood – beautiful, insightful pieces that embody the truth of Pye's ideas.

Product Details

PublisherHerbert Press
Publish DateJuly 02, 2008
Pages144
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9780713689310
Dimensions279.4 X 209.6 X 7.8 mm | 0.8 pounds

About the Author

David Pye OBE (1914-1993) was an architect, industrial designer and craftsman. For many years he was also Professor of Furniture Design at the Royal College of Art, London. He is the author of The Nature and Art of Workmanship, Ships and The Nature and Aesthetics of Design.
Ezra Shales is Professor in the History of Art department at Massachusetts College of Art and Design, USA. He teaches craft and design history and is the author of The Shape of Craft (2017) and Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era (2010). He has also contributed chapters to publications such as Craft Economies (Bloomsbury, 2018) and The Ceramics Reader (Bloomsbury, 2017). He has written widely on contemporary artists and modernist ceramicists, and his work has appeared in exhibition catalogues and journals such as Journal of Design History and Journal of Modern Craft.

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