The Masterpiece
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Description
The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist who has come from the provinces to conquer Paris but is conquered instead by the flaws of his own genius. Set in the 1860s and 1870s, it is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. It provides a unique insight into Zola's career as a writer and his relationship with Cezanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Product Details
Price
$12.95
$12.04
Publisher
Oxford University Press
Publish Date
September 01, 2008
Pages
400
Dimensions
5.0 X 7.6 X 0.9 inches | 0.6 pounds
Language
English
Type
Paperback
EAN/UPC
9780199536917
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Émile Zola (2 April 1840 - 29 September 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus.Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. He wrote every day for around 30 years and is considered to be a significant influence on writers that are credited with the creation of new journalism: Wolfe, Capote, Thompson, Mailer, Didion, Talese and others.
Thomas Walton is author of the anti-lyric-essay lyric essay The World Is All That Does Befall Us (Ravenna Press, 2018), the micro-chapbook A Name Is Just A Mane (Rinky Dink, 2016), and, with Elizabeth Cooperman, the tesselated essay/poem THE LAST MOSAIC (Sagging Meniscus Press, 2018). His work has appeared in ZYZZYVA, Delmar, Timberline Review, Rivet, The Chaos Journal, Queen Mob's Teahouse, Bombay Gin, Pontoon, and other magazines. Some of his poems were anthologized in Make It True; Poetry from Cascadia (Leaf Press, 2015). He lives in Seattle, where he edits PageBoy Magazine.