The Maids

The final novel of the greatest Japanese novelist of the twentieth century. It is also--as Michael P. Cronin's translation, the first into English, shows--one of his best. Written with Tanizaki's usual narrative brio and sly intimacy, with a focus on the pleasure and drama of everyday life so all-encompassing that when the eruptions of history intrude--in the form of the second Sino-Japanese war and World War II--they ring, as desired, like pistol shots at a party. Even without these cataclysms, we come to see--Tanizaki is an insistently elegiac writer--that the world is always in flux. Tanizaki's great success is to make us see how it is not only the masters who mourn the passing of such a world, but also the old maids.
It's as if David Lynch wrote a season of Mad Men, with an emphasis on the women. Tanizaki's a really great writer.--David Mitchell
Skillfully and subtly, Tanizaki brushes in a delicate picture of a gentle world that no longer exists.
Tanizaki is a very brilliant novelist.--Haruki Murakami
The Maids is altogether lighter, freer, and more playful than The Makioka Sisters--a busily peopled and remarkably sensual group portrait. The short novel teems with life and has a flavor all its own, a joyful, comic, improvisational quality rupturing the elegiac tone announced in its opening pages. It is no bad thing to be reminded from time to time that Jun'ichiro Tanizaki's remarkably fresh and intimate voice is speaking to us across a gulf of years and cultures.-- (08/18/2017)