The Lost Writings
"Franz Kafka is the master of the literary fragment," as Stach comments in his afterword: "In no other European author does the proportion of completed and published works loom quite so...small in the overall mass of his papers, which consist largely of broken-off beginnings." In fact, as Hofmann recently added: "'Finished' seems to me, in the context of Kafka, a dubious or ironic condition, anyway. The more finished, the less finished. The less finished, the more finished. Gregor Samsa's sister Grete getting up to stretch in the streetcar. What kind of an ending is that?! There's perhaps some distinction to be made between 'finished' and 'ended.' Everything continues to vibrate or unsettle, anyway. Reiner Stach points out that none of the three novels were 'completed.' Some pieces break off, or are concluded, or stop--it doesn't matter!--after two hundred pages, some after two lines. The gusto, the friendliness, the wit with which Kafka launches himself into these things is astonishing."
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Become an affiliateMichael Hofmann is a poet and frequent contributor to The New York Times Book Review, and is widely regarded as one of the world's foremost translators of works from German to English. He lives in London.
Kafka is the greatest German writer of our time. Such poets as Rilke or such novelists as Thomas Mann are dwarfs or plaster saints in comparison to him.--Vladimir Nabokov