The Longcut

(Author)
Available

Product Details

Price
$15.95  $14.83
Publisher
Dalkey Archive Press
Publish Date
Pages
120
Dimensions
4.9 X 7.9 X 0.6 inches | 0.4 pounds
Language
English
Type
Paperback
EAN/UPC
9781628973976
BISAC Categories:

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About the Author

Emily Hall has been a contributor to Artforum since 2003; her writing has also appeared in the New York Times Book Review, The Stranger, and the zine RedHeaded StepChild. The Longcut, her first novel, was shortlisted for the 2020 Novel Prize. She lives in New York, where she edits exhibition catalogues at The Museum of Modern Art.

Reviews

Shortlisted for the Novel Prize

"I remember how Knut Hamsun's Hunger scared & excited me when I was young & now, later on, Emily Hall's The Longcut has produced its own inimitable effect. I think of a mayor I read about who advocated digging a hole so big there's no alternative to filling it. Emily Hall's digging (for art) is bedraggled and ecstatic ("I was a lunatic for miles"). It makes its mark and I am helplessly subsumed in it still. Her Longcut is like an Artist's Way for bad kids." --Eileen Myles

"The anxieties of the artist are vigorously analyzed to the point of near insanity in Emily Hall's schizophrenic debut. An artist walks through a city to an appointment, asking the simple and unanswerable question: what is my work? Hilarious and claustrophobic, angular and digressive, The Longcut questions the role of capitalism in creation, while proving it's nearly impossible to make art if one thinks about it too much." --Mark Haber

"Bold and irreverent: like a DYMO machine gone nuts on a Mondrian print, The Longcut is a hilariously inventive take on what it means to be making "work" in the self-conscious world of art-making while also, at the very same time, trying get through the many material distractions of an office job. A striking debut!" --Jen Craig

Shortlisted for the Novel Prize

"I remember how Knut Hamsun's Hunger scared & excited me when I was young & now, later on, Emily Hall's The Longcut has produced its own inimitable effect. I think of a mayor I read about who advocated digging a hole so big there's no alternative to filling it. Emily Hall's digging (for art) is bedraggled and ecstatic ("I was a lunatic for miles"). It makes its mark and I am helplessly subsumed in it still. Her Longcut is like an Artist's Way for bad kids." -Eileen Myles

"The anxieties of the artist are vigorously analyzed to the point of near insanity in Emily Hall's schizophrenic debut. An artist walks through a city to an appointment, asking the simple and unanswerable question: what is my work? Hilarious and claustrophobic, angular and digressive, The Longcut questions the role of capitalism in creation, while proving it's nearly impossible to make art if one thinks about it too much." --Mark Haber

"Bold and irreverent: like a DYMO machine gone nuts on a Mondrian print, The Longcut is a hilariously inventive take on what it means to be making "work" in the self-conscious world of art-making while also, at the very same time, trying get through the many material distractions of an office job. A striking debut!" --Jen Craig