The Literary Conference

(Author) (Translator)
Backorder (temporarily out of stock)

Product Details

Price
$13.95  $12.97
Publisher
New Directions Publishing Corporation
Publish Date
Pages
96
Dimensions
4.5 X 7.0 X 0.25 inches | 0.19 pounds
Language
English
Type
Paperback
EAN/UPC
9780811218788
BISAC Categories:

Earn by promoting books

Earn money by sharing your favorite books through our Affiliate program.

Become an affiliate

About the Author

CÉSAR AIRA was born in Coronel Pringles, Argentina in 1949, and has lived in Buenos Aires since 1967. He taught at the University of Buenos Aires (about Copi and Rimbaud) and at the University of Rosario (Constructivism and Mallarmé), and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela. Perhaps one of the most prolific writers in Argentina, and certainly one of the most talked about in Latin America, Aira has published more than 100 books to date in Argentina, Mexico, Colombia, Venezuela, Chile, and Spain, which have been translated for France, Great Britain, Italy, Brazil, Portugal, Greece, Austria, Romania, Russia, and the United States. One novel, La prueba, has been made into a feature film, and How I Became a Nun was chosen as one of Argentina's ten best books. Besides essays and novels Aira writes regularly for the Spanish newspaper El País. In addition to winning the 2021 Formentor Prize, he has received a Guggenheim scholarship, and was shortlisted for the Rómulo Gallegos prize and the Booker International Prize.
Katherine Silver's award-winning translations include works by María Sonia Cristoff, Daniel Sada, César Aira, Julio Cortázar, Juan Carlos Onetti, and Julio Ramón Ribeyro. The author of Echo Under Story, she does volunteer interpreting for asylum seekers.

Reviews

Aira is one of the most provocative and idiosyncratic novelists working in Spanish today and should not be missed.--Natasha Wimmer
Aira's literary significance, like that of many other science fiction writers, comes from how he pushes us to question the porous line between fact and fantasy, to see it not only as malleable in history, but also blurred in the everyday. The engrossing power of his work, though, comes from how he carries out these feats: with the inexhaustible energy and pleasure of a child chasing after imaginary enemies in the park.