The Linden Tree
César Aira
(Author)
Chris Andrews
(Translator)
Description
A delightful fictional memoir about César Aira's small hometown. The narrator, born the same year and now living in the same great city (Buenos Aires) as César Aira, could be the author himself. Beginning with his parents--an enigmatic handsome black father who gathered linden flowers for his sleep-inducing tea and an irrational, crippled mother of European descent--the narrator catalogs memories of his childhood: his friends, his peculiar first job, his many gossiping neighbors, and the landscape and architecture of the provinces. The Linden Tree beautifully brings back to life that period in Argentina when the poor, under the guiding hand of Eva Perón, aspired to a newly created middle class.
As it moves from anecdote to anecdote, this charming short novella--touching, funny, and sometimes surreal--invites the reader to visit the source of Aira's extraordinary imagination.
Product Details
Price
$13.95
Publisher
New Directions Publishing Corporation
Publish Date
April 24, 2018
Pages
128
Dimensions
5.1 X 7.1 X 0.6 inches | 0.2 pounds
Language
English
Type
Paperback
EAN/UPC
9780811219082
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About the Author
CÉSAR AIRA was born in Coronel Pringles, Argentina in 1949, and has lived in Buenos Aires since 1967. He taught at the University of Buenos Aires (about Copi and Rimbaud) and at the University of Rosario (Constructivism and Mallarmé), and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela. Perhaps one of the most prolific writers in Argentina, and certainly one of the most talked about in Latin America, Aira has published more than 100 books to date in Argentina, Mexico, Colombia, Venezuela, Chile, and Spain, which have been translated for France, Great Britain, Italy, Brazil, Portugal, Greece, Austria, Romania, Russia, and the United States. One novel, La prueba, has been made into a feature film, and How I Became a Nun was chosen as one of Argentina's ten best books. Besides essays and novels Aira writes regularly for the Spanish newspaper El País. In addition to winning the 2021 Formentor Prize, he has received a Guggenheim scholarship, and was shortlisted for the Rómulo Gallegos prize and the Booker International Prize.
Chris Andrews was born in Newcastle, Australia, in 1962. He studied at the University of Melbourne and taught there, in the French program, from 1995 to 2008. He also taught at the University of Western Sydney, where he was a member of the Writing and Society Research Center. As well as translating nine books by Roberto Bolano and ten books (and counting) by César Aira, he also brought the French author Kaouther Adimi's Our Riches into English for New Directions. Andrews has won the Valle-Inclán Prize and the French-American Foundation Translation Prize for his translations. Additionally, he has published the critical studies Poetry and Cosmogony: Science in the Writing of Queneau and Ponge and Roberto Bolano's Fiction: An Expanding Universe as well as two collections of poems, Cut Lunch and Lime Green Chair, for which he won the Anthony Hecht Poetry Prize.
Reviews
South America's answer to Haruki Murakami.--Andrew Irvin
Hail César!--Patti Smith
Once you start reading Aira, you don't want to stop.--Roberto Bolaño
Surreal, witty, and funny.
Argentina's greatest living writer.
Exhilarating. Should not be missed.
In this novella, which teases readers with suggestions of the autobiographical, Aira has one eye on his country's past and the social effects of Juan Perón's regime...Although comprised of what can seem like individually minor creations, Aira's project is no less ambitious than Proust's, and for those of his fans who cannot read his work in Spanish, the arrival of each new title is a bittersweet occasion. It has taken 14 years for this book to reach us in English, and that is too long to wait. We want more, and we want it yesterday.--Patrick Flanery
An ethereal ramble through the sweet haze of nostalgia by the prolific Argentinean writer Aira. When is memory not true? If we can only live our lives in one direction, how can we ever learn from our future? These are the heady ideas Aira seals firmly in a fictional memoir that finds him sauntering through the past of a man nearly exactly like him... A funny, sardonic, and richly emotional journey through one man's interior experience.-- (02/06/2018)
A gentle semi-autobiographical novel about the author's childhood in Coronel Pringles, Argentina; the book recalls Peronism and the invention of a provincial middle class, juxtaposing portraits of eccentric neighbours with meditations on how complex social reality is refracted through a child's eyes.--Steven Zultanski
Hail César!--Patti Smith
Once you start reading Aira, you don't want to stop.--Roberto Bolaño
Surreal, witty, and funny.
Argentina's greatest living writer.
Exhilarating. Should not be missed.
In this novella, which teases readers with suggestions of the autobiographical, Aira has one eye on his country's past and the social effects of Juan Perón's regime...Although comprised of what can seem like individually minor creations, Aira's project is no less ambitious than Proust's, and for those of his fans who cannot read his work in Spanish, the arrival of each new title is a bittersweet occasion. It has taken 14 years for this book to reach us in English, and that is too long to wait. We want more, and we want it yesterday.--Patrick Flanery
An ethereal ramble through the sweet haze of nostalgia by the prolific Argentinean writer Aira. When is memory not true? If we can only live our lives in one direction, how can we ever learn from our future? These are the heady ideas Aira seals firmly in a fictional memoir that finds him sauntering through the past of a man nearly exactly like him... A funny, sardonic, and richly emotional journey through one man's interior experience.-- (02/06/2018)
A gentle semi-autobiographical novel about the author's childhood in Coronel Pringles, Argentina; the book recalls Peronism and the invention of a provincial middle class, juxtaposing portraits of eccentric neighbours with meditations on how complex social reality is refracted through a child's eyes.--Steven Zultanski
