The Index of Self-Destructive Acts


Product Details

Tin House Books
Publish Date
5.8 X 8.8 X 1.6 inches | 1.6 pounds

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About the Author

Christopher Beha is a deputy editor at Harper's magazine. His essays and reviews have appeared in the New York Times Book Review, the London Review of Books, The Believer, Bookforum, and elsewhere. He is the author of the novel What Happened to Sophie Wilder and the memoir The Whole Five Feet. A New York City native, he lives in Brooklyn with his wife.


A significant novel, beautifully crafted and deeply felt. Beha creates a high bonfire of our era's vanities. His work reminds me of the great Robert Stone and Theodore Dreiser. This is a novel to savour.--Colum McCann, author of Apeirogon and Let the Great World Spin
Beha's earlier work has been rightfully compared to the work of Graham Greene, and in this new novel Beha does what only Greene and a handful of other novelists have been able to accomplish: make God, belief, and doubt the stuff of serious fiction--even down to the probing dialogue of his characters.--Nick Ripatrazone
Beha's marvelous new novel is about, and more often than not exemplifies, pretty much everything good that New York City has lost in the past few bad years: wit, liberalism, journalism, and the dignity of self-destruction.--Joshua Cohen, author of Attention: Dispatches from a Land of Distraction
Beha is a sneaky-great plot-maker and thinker; by the time he wraps up this compassionate 21st-century tale of ambitious people looking for somewhere to place their faith--religion, statistics, love, money, country--you can see the clouds starting to gather into the moral Category 5 we're currently enduring.--Jonathan Dee, author of The Locals
Its breadth, ambition, and command are refreshing. An admirably big-picture, multivalent family saga.
A book's worth of thoughtful essays folded into a kick-ass novel.--Nell Zink
Filled with stunning acts of hubris and betrayal, Beha's deliciously downbeat novel picks apart the zeitgeist, revealing a culture of schemers and charlatans. This cutting send-up of New York progressive elitism should do much to expand Beha's audience.