The Girl on the Fridge bookcover

The Girl on the Fridge

Stories

Etgar Keret 

(Author)

Miriam Shlesinger 

(Translator)

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Description

Read the stories that made Etgar Keret Israel's most popular and acclaimed young writer with The Girl on the Fridge.

A birthday-party magician whose hat tricks end in horror and gore; a girl parented by a major household appliance; the possessor of the lowest IQ in the Mossad—such are the denizens of Etgar Keret's dark and fertile mind. The Girl on the Fridge contains the best of Keret's first collections, the ones that made him a household name in Israel and the major discovery of this last decade.

Product Details

PublisherFarrar, Straus and Giroux
Publish DateApril 15, 2008
Pages192
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9780374531058
Dimensions8.3 X 5.5 X 10.7 inches | 0.5 pounds

About the Author

Etgar Keret was born in Ramat Gan and now lives in Tel Aviv. A recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival, he is the author of the memoir The Seven Good Years and short story collections including Suddenly, a Knock on the Door and The Bus Driver Who Wanted to Be God. His work has been translated into forty-five languages and has appeared in The New Yorker, The Wall Street Journal, Wired, The Paris Review, and The New York Times, among many other publications.

Reviews

“Keret is a brilliant writer . . . completely unlike any writer I know. He is the voice of the next generation.” —Salman Rushdie

“Keret may be the most important writer working in Israel right now; certainly he is the closest observer of its post-intifada, post-Oslo spiritual condition. And astonishingly, he is also the Israeli writer closest to the literary tradition of pre-Israel, pre- Holocaust European Jewry . . . Kafka said that literature should be an ax to break the frozen sea within us. Keret is a writer whaling at the ice with a Wiffle ball bat.” —Stephen Marche, The Forward

“Short, strange, funny, deceptively casual in tone and affect, stories that sound like a joke but aren't--Etgar Keret is a writer to be taken seriously.” —Yann Martel

“Keret can do more with six . . . paragraphs than most writers can with 600 pages.” —Kyle Smith, People

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