The Fortress of Solitude
Jonathan Lethem
(Author)
21,000+ Reviews
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Description
A New York Times Book Review EDITORS' CHOICE.
From the National Book Critics Circle Award-winning author of Motherless Brooklyn, comes the vividly told story of Dylan Ebdus growing up white and motherless in downtown Brooklyn in the 1970s. In a neighborhood where the entertainments include muggings along with games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unraveling of the boys' friendship, Lethem creates an overwhelmingly rich and emotionally gripping canvas of race and class, superheros, gentrification, funk, hip-hop, graffiti tagging, loyalty, and memory.
"A tour de force.... Belongs to a venerable New York literary tradition that stretches back through Go Tell It on the Mountain, A Walker in the City, and Call it Sleep." --The New York Times Magazine
"One of the richest, messiest, most ambitious, most interesting novels of the year.... Lethem grabs and captures 1970s New York City, and he brings it to a story worth telling." --Time
From the National Book Critics Circle Award-winning author of Motherless Brooklyn, comes the vividly told story of Dylan Ebdus growing up white and motherless in downtown Brooklyn in the 1970s. In a neighborhood where the entertainments include muggings along with games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unraveling of the boys' friendship, Lethem creates an overwhelmingly rich and emotionally gripping canvas of race and class, superheros, gentrification, funk, hip-hop, graffiti tagging, loyalty, and memory.
"A tour de force.... Belongs to a venerable New York literary tradition that stretches back through Go Tell It on the Mountain, A Walker in the City, and Call it Sleep." --The New York Times Magazine
"One of the richest, messiest, most ambitious, most interesting novels of the year.... Lethem grabs and captures 1970s New York City, and he brings it to a story worth telling." --Time
Product Details
| Publisher | Vintage |
| Publish Date | August 24, 2004 |
| Pages | 528 |
| Language | English |
| Type |  Paperback / softback |
| EAN/UPC | 9780375724886 |
| Dimensions | 7.9 X 5.1 X 0.9 inches | 0.8 pounds |
About the Author
JONATHAN LETHEM is the New York Times bestselling author of nine novels, including Dissident Gardens, The Fortress of Solitude, and Motherless Brooklyn; three short story collections; and two essay collections, including The Ecstasy of Influence, which was a National Book Critics Circle Award finalist. A recipient of the MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction, Lethem's work has appeared in The New Yorker, Harper's Magazine, Rolling Stone, Esquire, and The New York Times, among other publications.
Reviews
“Magnificent. . . . [A] massively ambitious, profoundly accomplished novel.” – San Francisco Chronicle
"Glorious, chaotic, raw. . . . One of the richest, messiest, most ambitious, most interesting novels of the year. . . . Lethem grabs and captures 1970s New York City, and he brings to it a story worth telling." --Time
"A tour de force . . . Belongs to a venerable New York literary tradition that stretches back through Go Tell it On the Mountain, A Walker in the City, and Call it Sleep." --The New York Times
“The finest novel of the year, by far, and likely of the past five. . . . Better than a movie, better than a symphony, better than a play, and better than a painting, because it is all of them.” –Austin Chronicle
"Glorious, chaotic, raw. . . . One of the richest, messiest, most ambitious, most interesting novels of the year. . . . Lethem grabs and captures 1970s New York City, and he brings to it a story worth telling." --Time
"A tour de force . . . Belongs to a venerable New York literary tradition that stretches back through Go Tell it On the Mountain, A Walker in the City, and Call it Sleep." --The New York Times
“The finest novel of the year, by far, and likely of the past five. . . . Better than a movie, better than a symphony, better than a play, and better than a painting, because it is all of them.” –Austin Chronicle
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