The Father of the Predicaments

Available

Product Details

Price
$15.95
Publisher
Wesleyan University Press
Publish Date
Pages
86
Dimensions
6.02 X 0.31 X 9.0 inches | 0.34 pounds
Language
English
Type
Paperback
EAN/UPC
9780819565068
BISAC Categories:

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About the Author

HEATHER MCHUGH is Milliman Distinguished Writer-in-Residence and Professor of English at the University of Washingotn in Seattle. She also regularly reaches in the low-residency MFA Program at Warren Wilson college, near Ashville, N.C. She is the author of five books of poetry: Hinge & Sign: Poems, 1968-1993(Wesleyan, 1994), Shades (Wesleyan, 1988), To the Quick (Wesleyan, 1987) A World of Difference (Houghton Mifflin, 1981), and Dangers (Houghton Mifflin, 1997). She has translated three volumes of poetry: Because the Sea Is Black: Poems by Blaga Dimitrova (with co-translator Nikolai Popov, Wesleyan, 1989), D'Après Tout: Poems by Jean Fallain (Princeton, 1982), and Glottal Stop: 101 Poems by Paul Celan (with co-translator Nikolai Popov, Wesleyan, 2000). In 1993, Wesleyan published her literary essays, Broken English: Poetry and Partiality. Her version of Euripides' Cyclops (with an introduction by David Konstan) is forthcoming in a new series from Oxford University Press. Hinge & Sign: Poems, 1968-1993 was named a finalist for the national Book Award in 1994. Glottal Stop: 101 Poems by Paul Celan won the Griffin Prize in 2001. In 1999 she was elected a chancellor of the Academy of American Poets.

Reviews

"'No word can clear itself' in this accomplished volume of poems, which illuminates how the contradictions and dualities concealed in language both betray and redeem us . . . McHugh emerges as a kind of seer, and her striking conceits and crackling rhythms reveal an intellect that is often as sensuous as it is clever."--The New Yorker

"McHugh's terse and deeply intelligent poems teach the virtues of wit, curiosity, patience and attention. Like Rilke and Celan, McHugh makes a poem into a storehouse of predicaments--a field of compound and divided meanings never synthesized or resolved . . . McHugh uses paradox and equivocation to quarry and refine hard truths from the vernacular: that living is dying, that the mind has only itself to know itself. McHugh's poems are not flights from these truths but honest and often humorous efforts to bear them."--Newsday

"Her writing is so alert to itself, so alert to language, it's like watching a dancer on a mirrored floor, stepping on her steps. She's practically playing with her words as she writes them down. 'Joycean' is the word that comes to mind . . . This kind of writing could seem like pure playfulness, but in McHugh it rarely does . . . She's a poet for whom wit is a form of spiritual survival."--Robert Hass, The Washington Post Book World

" 'No word can clear itself' in this accomplished volume of poems, which illuminates how the contradictions and dualities concealed in language both betray and redeem us . . . McHugh emerges as a kind of seer, and her striking conceits and crackling rhythms reveal an intellect that is often as sensuous as it is clever."--The New Yorker

"Heather McHugh is one of the brightest of the Pacific Northwest's literary jewels . . . These poems slide like quicksilver in and out of one's grasp playful and provocative . . . McHugh's elusive, allusive language is the fitting instrument for knowing a world that is equally unsettled . . . McHugh's poems offer the constant delight of words and worlds made new. The Father of the Predicaments stands as a remarkable achievment of contemporary poetry."--Seattle Times