The End of Alice
A. M. Homes
(Author)
Description
The End of Alice sneaks us in the back doors of our upright suburban neighborhoods to reveal the impulses that even in our frank, outspoken times we don't talk about. This is a tale told by a pedophile in his twenty-third year in a maximum security prison. He is intelligent; he is witty; he is profoundly dangerous. Beyond the reality of his stark cell and the violent perversion of the other inmates lies his imagination, which he turns to his past, to an "accident" with a little girl named Alice, and now to the erotic life of a nineteen-year-old suburban co-ed who draws him into a flirtatious epistolary exchange. At home on summer break from college, she writes to the prisoner about her taste for young boys, her lust for one twelve-year-old in particular. She is inspired by the convict's crimes; he is excited by her peculiar obsession. Into the veneer of middle-class convention - the tennis lessons, baby-sitting, and family dinners - she casts her line for the boy. He bites. As her reports of their strange affair progress, the prisoner's memory unravels, revealing the appalling circumstances of his captivity, his deadly and lingering infatuation with Alice. The intertwined fixations of these unlikely correspondents give The End of Alice its haunting, unsettling power. A. M. Homes, whom the New York Times Book Review calls "exhilaratingly perverse, " lures us into the lives of characters simultaneously repellent and seductive.Product Details
Price
$17.00
$15.81
Publisher
Scribner Book Company
Publish Date
February 18, 1997
Pages
272
Dimensions
5.2 X 7.9 X 0.9 inches | 0.5 pounds
Language
English
Type
Paperback
EAN/UPC
9780684827100
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About the Author
A. M. Homes is the author of This Book Will Save Your Life,
Things You Should Know, Music for Torching, In a Country of Mothers, The Safety of Objects, Jack, and Los Angeles: People, Places, and the Castle on the Hill. Recipient of Guggenheim and NEA Fellowships, she is a Vanity Fair contributing editor and publishes in The New Yorker, Granta, Harper's, McSweeney's, Artforum, and The New York Times
Things You Should Know, Music for Torching, In a Country of Mothers, The Safety of Objects, Jack, and Los Angeles: People, Places, and the Castle on the Hill. Recipient of Guggenheim and NEA Fellowships, she is a Vanity Fair contributing editor and publishes in The New Yorker, Granta, Harper's, McSweeney's, Artforum, and The New York Times
Reviews
"With all the cunning and control of a brilliant lover, she takes us places we dare not go alone." -- Los Angeles Times
"The book shocks, mesmerizes, repels, and titillates, erupting at one unforgettable point in a harrowing flashback that does for baths what Alfred Hitchcock's Psycho did for showers." -- Vanity Fair
"A breathtaking new novel...certain to cause controversy." -- Elle
"Superlative...undeniably shocking...superbly achieved by a writer who is a true artist." -- Vogue
"As dark and treacherous as ice on the highway...A. M. Homes never plays it safe and it begins to look as if she can do almost anything." -- Michael Cunningham, author of The Hours
"The book shocks, mesmerizes, repels, and titillates, erupting at one unforgettable point in a harrowing flashback that does for baths what Alfred Hitchcock's Psycho did for showers." -- Vanity Fair
"A breathtaking new novel...certain to cause controversy." -- Elle
"Superlative...undeniably shocking...superbly achieved by a writer who is a true artist." -- Vogue
"As dark and treacherous as ice on the highway...A. M. Homes never plays it safe and it begins to look as if she can do almost anything." -- Michael Cunningham, author of The Hours