The DVD Revolution: Movies, Culture, and Technology

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Product Details
Price
$78.00
Publisher
Praeger
Publish Date
Pages
200
Dimensions
6.4 X 9.58 X 0.77 inches | 1.0 pounds
Language
English
Type
Hardcover
EAN/UPC
9780275983871

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About the Author
AARON BARLOW teaches early American literature at Kutztown University. He has previously taught film studies at the Pratt Institute in New York City, and has written extensively on science fiction cinema.
Reviews
"[P]ays homage to the medium by exploring its impact from both popular and scholarly perspectives."-Library Journal
"We recomend Aaron's The DVD Revolution to anyone in the industry as well as those interested in the DVD phenomena and its possibilities."-DVD Aficionado.com
"ÝP¨ays homage to the medium by exploring its impact from both popular and scholarly perspectives."-Library Journal
?[P]ays homage to the medium by exploring its impact from both popular and scholarly perspectives.?-Library Journal
?We recomend Aaron's The DVD Revolution to anyone in the industry as well as those interested in the DVD phenomena and its possibilities.?-DVD Aficionado.com
?Barlow offers an insightful, timely look at how the DVD has fundamentally changed the ways people interact with motion pictures....[t]his is a provocative, thought-provoking examination of a technology that is currently changing lives, and is central to the debate over the artistic integrity of filmmakers as opposed to the creative potential of fans and film students to use such material to create new works of art. The author has a firm handle on film theory but addresses whether such theory will be adequate in a "visual, virtual ... representational culture." Highly recommended. Lower-division undergraduates and above.?-Choice
"Barlow offers an insightful, timely look at how the DVD has fundamentally changed the ways people interact with motion pictures....[t]his is a provocative, thought-provoking examination of a technology that is currently changing lives, and is central to the debate over the artistic integrity of filmmakers as opposed to the creative potential of fans and film students to use such material to create new works of art. The author has a firm handle on film theory but addresses whether such theory will be adequate in a "visual, virtual ... representational culture." Highly recommended. Lower-division undergraduates and above."-Choice