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Description
The Brothers Grim examines the inner workings of the Coens' body of work, discussing a movie in terms of its primary themes, social and political contexts, narrative techniques, influences, relationship to their other films, and the Coens' referential modus operandi that retreads cinema, literature, history, philosophy, and art to amplify their films' themes.
Product Details
| Publisher | Scarecrow Press |
| Publish Date | May 30, 2007 |
| Pages | 392 |
| Language | English |
| Type |  Paperback / softback |
| EAN/UPC | 9780810858503 |
| Dimensions | 8.9 X 5.9 X 1.0 inches | 1.1 pounds |
BISAC Categories: Music, Film & Performing Arts
About the Author
Erica Rowell has worked in the movie industry and as a journalist. Her work has been featured on Monitor Radio, FOXNEWS.com, ABCNEWS.com, and WNYC Radio. Her film credits include line producer on two independent features and art department coordinator on the studio feature, The Proposition (1998), starring Kenneth Branagh.
Reviews
...well written and engaging.
Rowell (a journalist and film producer) titles each chapter examining a film from the prolific duo Joel and Ethan Coen (known as the Coen Brothers) after an object that figures so prominently in the movie that it is almost a character. In "Blood Simple: A Photo," "The Big Lebowski: A Bowling Ball" and the other essays, she offers a synopsis, review, and dissection of the themes, technique, influences, and stark social commentary of the often violent and satirical and always stylized Coen films. The writing-directing brothers also created Raising Arizona, Miller's Crossing, Oh, Brother, Where Art Thou? and Intolerable Cruelty.
Rowell examines [the Coen brothers] with greater concentration than the typical scattershot making-of or makers-of commentary, and even announces something like an analytical framework to apply to the films.
Rowell (a journalist and film producer) titles each chapter examining a film from the prolific duo Joel and Ethan Coen (known as the Coen Brothers) after an object that figures so prominently in the movie that it is almost a character. In "Blood Simple: A Photo," "The Big Lebowski: A Bowling Ball" and the other essays, she offers a synopsis, review, and dissection of the themes, technique, influences, and stark social commentary of the often violent and satirical and always stylized Coen films. The writing-directing brothers also created Raising Arizona, Miller's Crossing, Oh, Brother, Where Art Thou? and Intolerable Cruelty.
Rowell examines [the Coen brothers] with greater concentration than the typical scattershot making-of or makers-of commentary, and even announces something like an analytical framework to apply to the films.
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