The Box: Tales from the Darkroom

Available

Product Details

Price
$14.99
Publisher
Harpervia
Publish Date
Pages
208
Dimensions
5.32 X 8.08 X 0.52 inches | 0.43 pounds
Language
English
Type
Paperback
EAN/UPC
9780547577647
BISAC Categories:

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About the Author

GÜNTER GRASS (1927-2015), Germany's most celebrated contemporary writer, attained worldwide renown with the publication of his novel The Tin Drum in 1959. A man of remarkable versatility, Grass was a poet, playwright, social critic, graphic artist, and novelist. He was awarded the Nobel Prize for literature in 1999.
Krishna Winston is the Marcus L. Taft Professor of German Language and Literature at Wesleyan University. She has translated more than thirty books, including five previous works by Peter Handke and works by Werner Herzog, Günter Grass, Christoph Hein, and Goethe.

Reviews

"It may not be a memoir, but it is an exercise in soul-searching...this is a novel of great humility, questioning whether the measure of a life really is a life's work... [Grass] shows a remarkable willingness to kick a hole in the usual self-importance of a prize-winning author."
-The New York Times Book Review

"Functioning both as experimental fiction and as a sequel of sorts to Peeling the Onion, Grass's latest sheds light on a role the revered German author has thus far only touched upon: fatherhood."
- Publishers Weekly, starred review

"A family documentary in the form of a novel, leaving the reader to decide where the line blurs between fact and fiction...A short, engaging and puzzling novel: "He simply dreams us up!" says a daughter, as the reader wonders what to make of these dreams."
- Kirkus Reviews

"The Box offers "the spectacle of a superb writer examining with playful seriousness and intelligent candor the relations between his work and the past."
-Boston Globe "Freed from the defensive crouch of his straightforward memoir, Grass has produced something more obscure and occasionally just as beautiful."
-The Daily Beast

"Is writing in this way the act of a generous father, maybe even a penitent one, or of a tyrannical egotist? This ambiguity is what gives The Box its modest but genuine power."
-Adam Kirsch, Slate

"The Box moves between the voices of his eight children, in whose collage-like recollections their elusive father-- along with a mysterious woman whose Agfa box camera is an almost magical source of inspiration-- takes shape."
-Vogue ("Fall's Best Memoirs") --