The Book of Life: Selected Jewish Poems, 1979-2011
Alicia Suskin Ostriker
(Author)
21,000+ Reviews
Bookshop.org has the highest-rated customer service of any bookstore in the world
Description
Poet Alicia Ostriker is also a highly original scholar/teacher of midrash, the commentary and exegesis of scripture (the same root as madrasa, place of study). Here she \u2018studies' Jewish history, Jewish passion, Jewish contradictions, in a compendium of learned, crafted, earthy and outward-looking poems that show how this quest has informed and enriched her whole poet's trajectory.\u201d --Marilyn Hacker
Product Details
Price
$18.00
$16.74
Publisher
University of Pittsburgh Press
Publish Date
January 15, 2012
Pages
112
Dimensions
5.9 X 8.9 X 0.3 inches | 0.4 pounds
Language
English
Type
Paperback
EAN/UPC
9780822961819
BISAC Categories:
Earn by promoting books
Earn money by sharing your favorite books through our Affiliate program.
Become an affiliate
About the Author
Alicia Suskin Ostriker is a major American poet and critic. She is the author of numerous poetry collections, including, most recently, The Old Woman, the Tulip, and the Dog; The Book of Life: Selected Jewish Poems, 1979-2011; and The Book of Seventy, winner of the National Jewish Book Award. She has received the Paterson Poetry Prize, the San Francisco State Poetry Center Award, the William Carlos Williams Award, and has twice been a finalist for the National Book Award, among other honors. Ostriker teaches in the low-residency MFA program at Drew University and is currently a chancellor of the Academy of American Poets.
Reviews
Poet Alicia Ostriker is also a highly original scholar/teacher of midrash, the commentary and exegesis of scripture (the same root as madrasa, place of study). Here she 'studies' Jewish history, Jewish passion, Jewish contradictions, in a compendium of learned, crafted, earthy and outward-looking poems that show how this quest has informed and enriched her whole poet's trajectory.-- "Marilyn Hacker"
A Song of Songs, which is not Solomon's but Alicia Ostriker's. A great age-old hymn to life, to flesh, to memory, is revised again on these pages, with gusto, with passion, with clarity, with eros, with grief. If there is God, it is the mourner's or the mystic's God; if there is faith, it is the faith in our future. This is gorgeous poetry, as Jewish as it is universal.-- "Ilya Kaminsky"
Her voice is by turns bitter, lyrical, cajoling, ironic, her quarrel is a prophet's quarrel with a divine presence . . .-- "Rodger Kamenetz, on the volcano sequence"
Like many Jews, in and out of the synagogue, I wrestle with sacred tradition like Jacob wrestling the angel. The poems gathered here were born of this wrestling, which can never be over.-- "from the Preface"
In the preface . . . Ostriker refers to 'the umbilicus of hope.' She has a knack for such unexpected and powerful turns of phrase, and said cord stretches across this book.-- "Jewish Book World"
[A] wonderful collection . . . The poems in 'The Book of Life' may be familiar to her regular readers, having been published in other collections, but the selection in this volume strikes a rich and resonant chord, simultaneously and inextricably female and feminist, Jewish and American.-- "Womenis Review of Books"
A milestone volume that readers of Jewish poetry will reference, and revel in, for years to come. While Ostriker's contribution to the poetry world in the past decades has been invaluable, her contribution to the realm of Jewish poetry specifically has been absolutely formative. Her experiments with Midrashic poetry, riffs on Psalms, liturgy, usage of these sources to explore personal questions of faith, gender, and family are simply tremendous.-- "The Forward"
Reads like a collection of memories tinged with Scripture, song, and allusion. . . An assortment of powerful moments that make the whole a worthwhile read. . . 'The Book of Life' conveys the strength and endurance of its writer, of her tradition, and of the relentless hope and bafflement of which she is an heir.-- "Pleiades"
A Song of Songs, which is not Solomon's but Alicia Ostriker's. A great age-old hymn to life, to flesh, to memory, is revised again on these pages, with gusto, with passion, with clarity, with eros, with grief. If there is God, it is the mourner's or the mystic's God; if there is faith, it is the faith in our future. This is gorgeous poetry, as Jewish as it is universal.-- "Ilya Kaminsky"
Her voice is by turns bitter, lyrical, cajoling, ironic, her quarrel is a prophet's quarrel with a divine presence . . .-- "Rodger Kamenetz, on the volcano sequence"
Like many Jews, in and out of the synagogue, I wrestle with sacred tradition like Jacob wrestling the angel. The poems gathered here were born of this wrestling, which can never be over.-- "from the Preface"
In the preface . . . Ostriker refers to 'the umbilicus of hope.' She has a knack for such unexpected and powerful turns of phrase, and said cord stretches across this book.-- "Jewish Book World"
[A] wonderful collection . . . The poems in 'The Book of Life' may be familiar to her regular readers, having been published in other collections, but the selection in this volume strikes a rich and resonant chord, simultaneously and inextricably female and feminist, Jewish and American.-- "Womenis Review of Books"
A milestone volume that readers of Jewish poetry will reference, and revel in, for years to come. While Ostriker's contribution to the poetry world in the past decades has been invaluable, her contribution to the realm of Jewish poetry specifically has been absolutely formative. Her experiments with Midrashic poetry, riffs on Psalms, liturgy, usage of these sources to explore personal questions of faith, gender, and family are simply tremendous.-- "The Forward"
Reads like a collection of memories tinged with Scripture, song, and allusion. . . An assortment of powerful moments that make the whole a worthwhile read. . . 'The Book of Life' conveys the strength and endurance of its writer, of her tradition, and of the relentless hope and bafflement of which she is an heir.-- "Pleiades"
