The Black Dancing Body: A Geography from Coon to Cool (2003)
B. Gottschild
(Author)
Description
What is the essence of black dance in America? To answer that question, Brenda Dixon Gottschild maps an unorthodox 'geography', the geography of the black dancing body, to show the central place black dance has in American culture. From the feet to the butt, to hair to skin/face, and beyond to the soul/spirit, Brenda Dixon Gottschild talks to some of the greatest choreographers of our day including Garth Fagan, Francesca Harper, Meredith Monk, Brenda Buffalino, Doug Elkins, Ralph Lemon, Fernando Bujones, Bill T. Jones, Trisha Brown, Jawole Zollar, Bebe Miller, Sean Curran and Shelly Washington to look at the evolution of black dance and it's importance to American culture. This is a groundbreaking piece of work by one of the foremost African-American dance critics of our day.Product Details
Price
$79.99
$74.39
Publisher
Palgrave MacMillan
Publish Date
September 16, 2005
Pages
332
Dimensions
6.0 X 8.9 X 1.0 inches | 1.05 pounds
Language
English
Type
Paperback
EAN/UPC
9781403971210
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About the Author
Brenda Dixon Gottschild is professor emerita of Dance Studies at Temple University and a former senior consultant/writer for Dance Magazine. She is the author of Digging the Africanist Presence in American Performance, Waltzing in the Dark, and The Black Dancing Body. Dixon Gottschild is the recipient of the 2013 Scholar Award from the International Association of Blacks in Dance.
Reviews
"Anyone interested in dance and in African-American culture will find much to ponder here."--"Publishers Weekly Annex"
"Dixon Gottschild's happiest readers will share her adventurousness, her inclination to listen deeply and learn, and her honesty." --Eva Yaa Asantewaa, "Dance Magazine"
"For anyone who's ever sat in an audience wondering why the folks onstage look so very unlike the folks outside, this invigorating, argumentative, and highly personable book is a must." --Laura Shapiro, "New York"" Magazine"
"With typical generosity, Brenda Dixon Gottschild convenes a discussion of some of the most crucial issues defining black-white relations in contemporary American society. Skillfully weaving her own voice among those of diverse artists, she raises questions about racial stereotypes, expectations, and prejudices as they are experienced by performers and viewers. Because it focuses on the dancing body, situating its cultivation of physicality as part of more general cultural elaborations of corporeality, "The Black Dancing Body" addresses the experience of race at a profound and vital level. Candidly pursuing the racialized experiences of feet, butts, hair, and skin, Dixon Gottschild gives readers an abundance of perspectives, both historical and cultural, on the physical. She invites readers into a dialogue, marked by honesty, courage, and soul, that is capable of moving our bodies and our spirits."--Susan Foster, author of "Reading Dancing: Bodies and Subjects in Contemporary American Dance"
""The Black Dancing Body" is a fresh and surprising collage of a book. It walks around its subject, looking at it from new angles, carefully knocking down cliches and stereotypes, allowing dancers' voices to be heard. The quietest, truest voice is the author's own, as she meditates on her own body and the associations it calls up from her own dancing past and her life as an African American woman. This book must be read, to understand once again wh
"Dixon Gottschild's happiest readers will share her adventurousness, her inclination to listen deeply and learn, and her honesty." --Eva Yaa Asantewaa, "Dance Magazine"
"For anyone who's ever sat in an audience wondering why the folks onstage look so very unlike the folks outside, this invigorating, argumentative, and highly personable book is a must." --Laura Shapiro, "New York"" Magazine"
"With typical generosity, Brenda Dixon Gottschild convenes a discussion of some of the most crucial issues defining black-white relations in contemporary American society. Skillfully weaving her own voice among those of diverse artists, she raises questions about racial stereotypes, expectations, and prejudices as they are experienced by performers and viewers. Because it focuses on the dancing body, situating its cultivation of physicality as part of more general cultural elaborations of corporeality, "The Black Dancing Body" addresses the experience of race at a profound and vital level. Candidly pursuing the racialized experiences of feet, butts, hair, and skin, Dixon Gottschild gives readers an abundance of perspectives, both historical and cultural, on the physical. She invites readers into a dialogue, marked by honesty, courage, and soul, that is capable of moving our bodies and our spirits."--Susan Foster, author of "Reading Dancing: Bodies and Subjects in Contemporary American Dance"
""The Black Dancing Body" is a fresh and surprising collage of a book. It walks around its subject, looking at it from new angles, carefully knocking down cliches and stereotypes, allowing dancers' voices to be heard. The quietest, truest voice is the author's own, as she meditates on her own body and the associations it calls up from her own dancing past and her life as an African American woman. This book must be read, to understand once again wh
