Sugarland: A Jazz Age Mystery
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Description
New Mystery by Edgar-Nominated Author
In 1921, young jazz pianist Eve Riser witnesses the accidental killing of a bootlegger. To cover up the crime, she agrees to deliver a letter to a man named Rudy Hardy in Chicago. But when Eve gets to Chicago she discovers that her stepsister Chickie, a popular nightclub singer, is pregnant by a man she won't name. That night Rudy Hardy is killed before Eve's eyes in a brutal drive-by shooting, and Chickie disappears.
Eve needs to find Chickie, but she can't do it alone. Lena Hardy, Rudy's sister, wants to learn the truth behind her brother's murder, but she needs Eve's connections to do that. Together Eve and Lena navigate the back alleys and speakeasies of 1920s Chicago encountering petty thugs, charismatic bandleaders, and a mysterious nightclub owner called the Walnut who seems to be the key to it all. As they fight racial barriers trying to discover the truth, Eve and Lena unravel a twisted tale of secret shipments and gangster rivalry. SUGARLAND mixes the excitement of a new kind of music--jazz--with the darker side of Prohibition in a gripping story with "real suspense for anyone who likes a good mystery." (Kirkus Reviews, starred review)
Product Details
Price
Publisher
Noontime Books
Publish Date
June 01, 2016
Pages
314
Dimensions
5.5 X 0.75 X 8.5 inches | 1.1 pounds
Language
English
Type
Hardcover
EAN/UPC
9780991618552
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About the Author
Martha Conway is the author of The Underground River, a New York Times Book Review Editor's Choice. Her novel Thieving Forest won the North American Book Award in Historical Fiction, and her first novel was nominated for an Edgar Award. Her short fiction has appeared in the Iowa Review, Mississippi Review, The Quarterly, Carolina Quarterly, and other publications. She is an instructor at Stanford University's Continuing Studies program in Creative Writing.
Reviews
KIRKUS REVIEW (starred review) In Conway's (Thieving Forest, 2014, etc.) latest novel, a young jazz pianist encounters kidnapping, rumrunning, and gunplay in 1920s Chicago. In 1921, Eve Louise Riser is living her dream, getting by on her own and hopping trains from town to town as the pianist in the Stoptime Syncopaters trio. Still in her early 20s, Eve "had four songs published already under the name E. R. King." But everything changes for the worse one night when she stumbles back to her railroad car with the band's good-looking saxophone player and they're accosted by a mysterious thug. Soon Eve faces "one hard turn after another" in Chicago, as she and her sister, Eulalie, nicknamed "Chickie," find themselves mixed up with gunrunners, mobsters, and a cross-dressing bootlegger. At one point, a sudden hail of bullets strikes Eve and kills the stranger beside her. Eve is an African-American in a racist town, and the ubiquity of discrimination (and lynchings in the nearby countryside) shows her how "fear turns to something you can smell or taste." Readers meet a cast of dozens, among them pretty-boy Gavin Johnson, the aforementioned sax player, who slips Eve a wad of cash and puts her on a train to escape a murder rap; Nathan Cobb, an ex-musician with a temper and a rolodex of shady connections; and a mysterious scar-faced gangster known as Victor "The Walnut" Rausch. Impressively, each character stands out clearly and does real work to move the story forward. The author marvelously keeps events gliding along without sacrificing either detail or atmosphere. She deftly evokes the neon streets of Chicago, where "soon there'd be more motorcars than horses," in a few spare strokes ("on the corner some kids were playing instruments in the rain-a washtub with a string, a drum made of hubcaps"). Conway is a straightforward writer but not one that disdains eloquence; there are some deft phrases here (Eve's mother "drank too much and took in laundry. In that order") and real suspense for anyone who likes a good mystery. An absorbing whodunit full of gangsters and glitz. "Conway's a wonderful writer, and she sustains the reader's interest throughout this gripping mystery." -San Jose Mercury News ." . . Also excellent is Conway's description of the indescribable: the feel and spirit of early Chicago-style hot jazz." -Akron Beacon Journal