Still Life with Monkey

"Stark and compelling . . . Rigorously unsentimental yet suffused with emotion: possibly the best work yet from an always stimulating writer."--Kirkus Reviews (starred review)

"Weber's unsentimental and poignant examination of what does and does not make life worth living is a heartbreaking triumph."--Publishers Weekly (starred review)

"Katharine Weber's Still Life With Monkey is a beautifully wrought paean of praise for the ordinary pleasures taken for granted by the able-bodied. In precise and often luminous prose, with intelligence and tenderness, Weber's latest novel examines the question of what makes a life worth living."--Washington Post

"Weber's prose is precise, revealing rather than evocative; she seems to be aiming not to show her characters in their best light but rather to illuminate them from all angles, even the least flattering. Befitting the novel's emphasis on the aesthetic, her style here is painterly: As in Oudry's composition, attention to detailed realism is everything. Still Life With Monkey is profoundly humane even while it's asking the most difficult questions.--New York Times Book Review

"Weber's sixth novel is a nuanced investigation of what is left when all of the ways one identifies oneself are wiped out in an instant . . . Beautiful, emotionally resonant storytelling."--Booklist

"The 'still life' in Katharine Weber's new novel is Duncan Wheeler, a 37-year-old successful Connecticut-based architect who receives life's worst surprise when a car crash leaves him mostly paralyzed with a C6 spinal cord injury . . . Weber expertly weaves Duncan's internal conflict throughout the novel, constantly making the reader wonder if he will find the strength to continue living in his new circumstances and carry on with a will to make new legacies. Most importantly, Still Life with Monkey begs the question, 'What would I do in this situation?' It's a question that lingers long after the book ends."--BookPage

"For Weber fans, this new novel is a cause for celebration and is likely to win her many more admirers."--Amazon's Omnivoracious blog

"STILL LIFE WITH MONKEY is a brilliantly crafted novel, brimming with heart. Pairing poetry with wisdom, this is a story about what it means to live, love, and grow."--Tayari Jones, author of An American Marriage

"Katharine Weber goes deep with the extraordinary STILL LIFE WITH MONKEY, a rich and compelling meditation on the question of what makes life worth living. Her characters are vividly, achingly real, including the tiny, furry one at the novel's center. I kept thinking about all of them long after I'd read the final words of this beautiful book."--Ann Packer, author of The Dive From Clausen's Pier

"In Katharine Weber's new novel she takes on one of the most challenging subjects we know--the question of how to face a life we never imagined. She does so with great subtlety, tenderness and intelligence, as well as the beautiful prose we expect from her."--Roxana Robinson, author of This Is My Daughter

"Among the many brilliances of Katharine Weber's new novel, is the whole idea of a 'still life.' Painters saw unnatural stillness as a contradiction in terms, yet containing a mysterious truth. Here, too, mysterious truth - a car accident, a wheelchair (another contradiction), paralysis, and honest and beautifully-drawn people, stopped in midpassage. To this still life comes the capuchin monkey, the service animal who attends the disconnections of the spine, the spirit, and of the species. STILL LIFE is life still--the theme of this original, remarkable book."--Roger Rosenblatt, author of Kayak Morning

"STILL LIFE WITH MONKEY is radiantly tender and piercingly sad. Katharine Weber is a magician of a novelist, one who writes about loss and loneliness with such compassion and humor that we feel enchanted as we read."--Brian Morton, author of Starting Out in the Evening and Florence Gordon

"Katharine Weber is one of the wittiest, most stimulating novelists at work today."--Chicago Tribune

"Weber remains a writer to be cherished, with the added, and quite rare, virtue of never writing a word too much."--Publishers Weekly