Staging Indigeneity: Salvage Tourism and the Performance of Native American History
Katrina Phillips
(Author)
21,000+ Reviews
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Description
As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"--a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
Product Details
Price
$34.44
Publisher
University of North Carolina Press
Publish Date
March 01, 2021
Pages
262
Dimensions
6.14 X 9.21 X 0.6 inches | 0.9 pounds
Language
English
Type
Paperback
EAN/UPC
9781469662312
BISAC Categories:
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About the Author
Katrina Phillips (Red Cliff Ojibwe) is assistant professor of American Indian history at Macalester College.
Reviews
This is an important study about "playing Indian" and the complexities of American Indian identity."--CHOICE
An exciting first book . . . [that] contributes important historical and methodological interventions for how one can engage the history of the past and present."--H-AmIndian
Thoroughly researched and well-written . . . Phillips rejects simple narratives and, instead . . . brings a nuanced understanding of these varied motivations as well as the shifting meanings that the pageants hold for American Indians over time."--The North Carolina Historical Review
An excellent study of conquest or settler tourism. . . . I learned a great deal from reading this book."--American Indian Culture and Research Journal
Nuanced. . . . [Phillips] situates the dramas she has come to watch in the context of each town's economic ambitions and its fraught history with Indigenous people."--Journal of American History
Phillips's excellent book forces us to consider how we depict our history--who creates it, who controls it, and for what purposes. . . . In an age when some Americans are calling for us to sanitize our history--to revere and celebrate it rather than to think critically about it--[Staging Indigeneity] could not be more appropriate, useful, or relevant."--Journal of American Ethnic History
A compelling story of how Native American history is quite literally staged, why its staging persists as a tourist attraction across the United States, and what the complex conditions for its production and performance were and are."--American Indian Quarterly
Phillips deftly demonstrates how tourism based on loose interpretations of historical events both builds cultural memory and elides concrete classification into categories like 'authentic' or 'exploitative'."--Western Historical Quarterly
An exciting first book . . . [that] contributes important historical and methodological interventions for how one can engage the history of the past and present."--H-AmIndian
Thoroughly researched and well-written . . . Phillips rejects simple narratives and, instead . . . brings a nuanced understanding of these varied motivations as well as the shifting meanings that the pageants hold for American Indians over time."--The North Carolina Historical Review
An excellent study of conquest or settler tourism. . . . I learned a great deal from reading this book."--American Indian Culture and Research Journal
Nuanced. . . . [Phillips] situates the dramas she has come to watch in the context of each town's economic ambitions and its fraught history with Indigenous people."--Journal of American History
Phillips's excellent book forces us to consider how we depict our history--who creates it, who controls it, and for what purposes. . . . In an age when some Americans are calling for us to sanitize our history--to revere and celebrate it rather than to think critically about it--[Staging Indigeneity] could not be more appropriate, useful, or relevant."--Journal of American Ethnic History
A compelling story of how Native American history is quite literally staged, why its staging persists as a tourist attraction across the United States, and what the complex conditions for its production and performance were and are."--American Indian Quarterly
Phillips deftly demonstrates how tourism based on loose interpretations of historical events both builds cultural memory and elides concrete classification into categories like 'authentic' or 'exploitative'."--Western Historical Quarterly
