
Description
It's Father's Day 1972 and a young boy's dad takes him to visit a string of unimpressive ex-girlfriends that could have been his mother; the unconventional detective work of a koan-speaking, Kung Fu-loving uncle solves a case of arson during a pancake breakfast; and a former geology professor, recovering from addiction, finds himself sharing a taxicab with specters from a Jim Crow-era lynching. Set in and around the fictional town of Steepleburg, South Carolina, the loosely tied stories in George Singleton's Staff Picks place sympathetic, oddball characters in absurd, borderline surreal situations that slowly reveal the angst of southern history with humor and bite.
In the tradition of Donald Barthelme, T. C. Boyle, Flannery O'Connor, and Raymond Carver, Singleton creates lingering, darkly comedic tales by drawing from those places where familiarity and alienation coexist. A remarkable and distinct effort from an acclaimed chronicler of the South, Staff Picks reaffirms Singleton's gift for crafting short story collections that both deliver individual gems and shine as a whole.
Product Details
Publisher | LSU Press |
Publish Date | March 06, 2019 |
Pages | 216 |
Language | English |
Type | |
EAN/UPC | 9780807170335 |
Dimensions | 8.5 X 8.9 X 0.6 inches | 0.6 pounds |
About the Author
Reviews
"George Singleton's talent as a humorist is on full display in Staff Picks but don't let your laughter distract you from the fact that he is also a sly, insightful witness to life in the American South and one of the most dexterous short story writers anywhere. He knows our hurts and fears, our desires and disappointments. He understands better than just about anybody that life can be sublime and heartbreaking and absurd all at once and he holds nothing back in his best collection yet."--Michael Knight, author of Eveningland
"What a pleasure these stories are! Singleton's kooky, endearing characters are grotesquely original and at the same time next-door familiar. They are forever attempting to connect with the people around them, but somehow, too often, keep missing. If there's redemption here, it lies in the fact that they keep trying. And always, beneath the humor and the word play and the fun-house distortion, these stories simmer with frustration at the South's most absurd paradoxes and entrenched injustices."--Julia Franks, author of Over the Plain Houses
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